A Quote by Howard Jacobson

Again and again, Primo Levi's work is described as indispensable, essential, necessary. None of those terms overstate the case, but they do prepare readers new to Levi for a forbiddingly educative experience, making him a writer unlike all others and the experience of reading him a chore. Which it isn't.
The thrill of creation which we experience which we experience when we see a masterpiece is not unlike the feeling of the artist who created it; such a work is a fragment of the world which he has annexed and which belongs to him alone.
Experience is, for me, the highest authority. The touchstone of validity is my own experience. No other person's ideas, and none of my own ideas, are as authoritative as my experience. It is to experience that I must return again and again, to discover a closer approximation to truth as it is in the process of becoming me.
When somebody says that six million people died in the Holocaust, there is nobody in the world who can understand that. It's only through story, reading books by Elie Wiesel or Primo Levi, that you really begin to understand the trauma and how horrible it actually was.
I suppose every old scholar has had the experience of reading something in a book which was significant to him, but which he could never find again. Sure he is that he read it there, but no one else ever read it, nor can he find it again, though he buy the book and ransack every page.
This is why I can't be with Levi. Because I'm the kind of girl who fantasizes about being trapped in a library overnight-and Levi can't even read.
To him who has had the experience no explanation is necessary, to him who has not, none is possible.
I'm a great admirer of Primo Levi's work. It's always mind-boggling, the idea of how much pain people can endure and still come back from the edge with a sense of humor, with this tremendous animal desire we have to get on with life.
Levi was smiling. He kicked her chair again.
Primo Levi's - I mean, he's a very different kind of writer. He's a much more formal writer. He's a much more -almost detached. I mean, I wouldn't really say that he's detached ultimately. But he does write as a scientist, and so he describes things very - in great detail, very carefully.
It would take me years of reading, thought, and experience to learn again that in this world limits are not only inescapable but indispensable.
We had entered an era of limitlessness, or the illusion thereof, and this in itself is a sort of wonder. My grandfather lived a life of limits, both suffered and strictly observed, in a world of limits. I learned much of that world from him and others, and then I changed; I entered the world of labor-saving machines and of limitless cheap fossil fuel. It would take me years of reading, thought, and experience to learn again that in this world limits are not only inescapable but indispensable.
Was it not his Self, his small, fearful and proud Self, with which he had wrestled for so many years, but which had always conquered him again, which appeared each time again and again, which robbed him of happiness and filled him with fear?
Knowing they were in the same city again made the missing him flare up inside her. In her stomach. Why were people always going on and on about the heart? Almost everything Levi happened in Cath’s stomach.
It has no denim-toned house paint. Levi makes what is essentially a commodity: blue jeans. Its ads may evoke rugged outdoorsmanship, but Levi hasn't promoted any particular life style to sell other products.
While someone who is working out of ordinary science can speak from memory, the scientist of the spirit has to repeat the steps that once led him to the experience or discovery of which he is speaking. The whole process must be generated over again as a fresh, original experience.
Some experiences are mis-educative. Any experience is mis-educative that has the effect of arresting or distorting the growth of further experience.
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