A Quote by Howard Stringer

The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.
America gave the world the notion of the melting pot - an alchemical cooking device wherein diverse ethnic and religious groups voluntarily mix together, producing a new, American identity. And while critics may argue that the melting pot is a national myth, it has tenaciously informed the America's collective imagination.
This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.
Of course there are individual racists in America. Sadly that's true. And sadly that will always be true. It's true in this country, it will be true because it's human nature.
I travel the world, and I'm happy to say that America is still the great melting pot - maybe a chunky stew rather than a melting pot at this point, but you know what I mean.
Um, 'Soul Food'... Another wonderful little movie that could. Here's a film that, I think our budget was maybe $6 million. We shot it in Chicago in six weeks. I was so proud of the film, because it showed America that an African-American film about family could sell, could do well, could cross over and have true meaning.
America always put forth this phony melting pot theory, but it's a reality now. They couldn't accomplish the melting pot economically; they couldn't accomplish it politically, or through education and science. But America has become a consumer society, and I see young people in the cities - of all colors and races - hanging out together over consumerism.
In America, we no longer have an institutionalized, organized way of calling business to task - of taking them to account for what they've done - and this is especially true in the cultural realm.
Since the 1960s, we have seen the failure of the melting pot ideology. This ideology suggested that different historical, cultural and socioeconomic backgrounds could be subordinated to a larger ideology or social amalgam which is "America." This concept obviously did not work, because paradoxically America encourages a politics of contestation.
All things being equal, I think people would still prefer to do business with their hometown companies. That's true in America, that's true in China, that's true in Germany.
The French movies that are promoted abroad are the ones that give a trendy, cultural, petit bourgeois, upper class image of France, but it's true that people who are poor in France are the same in New York or in India.
I think Canada has stayed true to its news roots better than the United States has, in many ways. So I think Al Jazeera America is going to look a lot like the news that Canadians are used to: longer stories, more investigation, deeper analysis, less partisan.
America is no longer the melting pot it used to be. It has now become a tossed salad of foreigners that arrive to our shores wanting to keep their culture and forcing our acceptance.
We've advanced in the construction of a true free-trade area across South America... What's needed now is less rhetoric and more action.
On the outside, America looks like this great melting pot, but on the inside, there's this segregation in American cinema. Why does a Latino film have to be for Latinos? Why is a black film just for black people? Why?
Everyone should be proud of who they are and where they come from because America is a big melting pot of diverse ethnicities. It's great to be part of this wonderful country.
I come from the South Bronx - a true descendant of the melting pot. I grew up in a really mixed neighborhood; it was a very integrated life.
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