A Quote by Howard Thurston

Long experience has taught me that the crux of my fortunes is whether I can radiate good will toward my audience. There is only one way to do it and that is to feel it. You can fool the eyes and minds of the audience, but you cannot fool their hearts.
You can fool the eyes and minds of the audience, but you cannot fool their hearts.
Show me a man or woman who cannot stand mysteries and I will show you a fool, a clever fool - perhaps - but a fool just the same.
You cannot fool an audience.
A fool, a fool! I met a fool i' th' forest, A motley fool! a miserable world! As I do live by food, I met a fool Who laid him down and basked him in the sun And railed on Lady Fortune in good terms, In good set terms, and yet a motley fool.
You ask whether I have ever been in love: fool as I am, I am not such a fool as that. But if one is only to talk from first-hand experience, conversation would be a very poor business. But though I have no personal experience of the things they call love, I have what is better - the experience of Sappho, of Euripides, of Catallus, of Shakespeare, of Spenser, of Austen, of Bronte, of anyone else I have read.
It has been said that there is no fool like an old fool, except a young fool. But the young fool has first to grow up to be an old fool to realize what a damn fool he was when he was a young fool.
Perhaps there is a reason that there is no fool piece on the chessboard. What action, a fool? What strategy, a fool? What use, a fool? Ah, but a fool resides in a deck of cards, a joker, sometimes two. Of no worth, of course. No real purpose. The appearance of a trump, but none of the power: Simply an instrument of chance. Only a dealer may give value to the joker.
Do not feel envious of the happiness of those who live in a fool's paradise, for only a fool will think that is happiness.
In our show, we try to think about consequences, not about tricking the audience or hiding things to fool the audience.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
Whether you function as welders or inspectors, the laws of physics are implacable lie-detectors. You may fool men. You will never fool the metal.
Anyone who thinks they can write the perfect comedy that everyone will love is a fool. I can only write what I think is funny and hope that there is a likeminded audience out there.
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
If I am a fool then it is no misfortune, for then only one more fool will wander this Earth. Amongst the millions of mentally deranged it would barely be noticed. But what if I am not a fool, and that science itself has erred? Then the tragedy is incalculable!
Any show that's bringing in a young audience is doing a good thing, because that's the only way that theater will continue to grow. All the other audience members are going to be dead soon!
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