A Quote by Huang E
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The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.
I'd love to be a saxophonist. I don't know why, but I pretend I'm the saxophonist when I listen to music. I have about as much chance playing the sax as I do learning how to fly.
I like my job. That's become very clear to me. I know how to pretend to do things that I otherwise didn't know how to do.
'How' is a great thing to know. 'Why' is the ultimate. I'm the 'why' coach. Why are we doing this? Why are we not doing that? Why is this not working? Those are the things I want to know.
All I know is real life. I don't know how to act. I don't know how to pretend.
You're just trying on different identities, like everyone in those Shakespeare plays. And the people we pretend at, they're already in us. That's why we pretend them in the first place.
Why does everyone have to pretend to be stupid and not know long words?
Please, do not leave me, Will Henry. I would not survive it. You were nearly right. What Mr. Kendall was, I am always on the brink of becoming. And you - I do not pretend to know how or even why - but you pull me back from the precipice. You are the one... You are the one thing that keeps me Human.
We all pretend, we all hide things, so why not take the concept to an extreme? That is the basic idea for the character of Dexter. Pretend to be human, while quietly and carefully living out the life of a monster on the side.
Why do so many marriages fail? Because nobody gets taught how to be married. We're not taught how to pick a mate, or why to pick a mate; we don't know how to manage our emotions once we're in a marriage; we don't know how to resolve marital conflict. Married people have never been taught why they or their spouses feel the way they do and act the way they do. Nobody has ever taught us the fundamentals.
Other than to amuse himself, why should a man pretend to know where he's going or understand what he sees?
I'm not dating Balthazar. I'm pretend dating him. Which involves some not pretend hand-holding. And maybe some not pretend kissing. But it's all actually pretend, see? I groaned. My explanations were making my head hurt already.
I'm not into, Hey, what's your sign? or any of that. But I don't know how I got here, and I don't know how I write songs. I don't know why I breathe.
The biggest threat to your creativity is the fear that it's already been done, said, created. (So why bother?)
Say it, do it, make it anyway - but tell YOUR story along the way.
The story of how you came to know what you know.
The story of what you want to know more of.
The story of why you do what you do.
The story of how you came to care.
And that's how you create what's never been created before.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
The public wants to know why or why not. They don't want to know how you're going to do it.
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