A Quote by Huda Kattan
I like to think limitlessly, and you can't be limitless if you're constantly looking at best practices.
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I'm looking for best practices constantly. Apple has beautiful design, beautiful product, incredibly functional. But mostly it's about picking product, getting behind it, marketing it and introducing it to a customer. What they've done just inspires me.
A person's life is limited but serving the people is limitless. I want to devote my limited life to serving the people limitlessly.
I don't like looking back. I'm always constantly looking forward. I'm not the one to sort of sit and cry over spilt milk. I'm too busy looking for the next cow.
In vulgar usage, progress has come to mean limitless movement in space and time, accompanied, necessarily, by an equally limitless command of energy: culminating in limitless destruction.
People really don't care, in some ways, that you have a family. With a high profile job like I have, they just want you to win basketball games. You can do that and still keep your family together. I try the best I can to be at the basketball practices or tennis practices or recitals. In my first year at Dallas my (then 11-year old) son Avery Jr., said, "You know daddy, you're still the best coach in the NBA." I was like, "But I haven't won a playoff game yet." And he said, "That's okay. You're still my daddy." That makes you feel good.
I think a lot of female actors have a real fear of not looking their best. They learn to prize their vanity over a role in which they have to look like a moron. They're worried they'll damage their sex appeal. Thankfully, I have no problem looking like a moron!
No, it's that fun we have. It's real. I'm so thankful they cast good, funny, interesting, warm, kind people in “Castle”, because we blend very well together. At this point it's like a family. We help each other. I constantly ask them: “What's funnier: if I do this or I do that?” And I don't think we care anymore about looking weak or unprofessional. We all just want the best for each other and for the show.
Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.
Because a garden mean constantly making choices, it offers almost limitless possibilities for surprise and satisfaction.
I think there are lots of things that people think are so different but they're not. People think there is a huge difference between hip hop and country music, but there is really not when you start looking into themes and what people are struggling with or celebrating. When you break it down to the chords and the beats it is all the same. Personally, I am obsessed with music as it is a limitless tunnel that you can explore.
Jesus would have been one of the best photographers that ever existed. He was always looking at the beauty of people souls. In fact Jesus was constantly making pictures of God in people's life by looking at their souls and exposing them to his light.
I think that some of the most amazing places to be or to grow up are the places right outside of great cities, because you're sort of constantly in this suspended state of, like, looking inside the window, wanting to be in the party. I think it breeds good feelings.
I like people who are constantly working hard, more than people who are constantly at their best.
I just think that's the job of an actor. I guess that's the variation that you're talking about. It's probably a byproduct of just constantly looking for something different, because that's what I feel like I'm supposed to do.
I'm kind of down for anything, as long as it's an amazing script that speaks to me, so I'm just constantly reading and constantly looking.
Almost everyone working in mainstream comics started off as a starry-eyed kid reading and loving comics. We're all fans, and that's great. But when we start working on company-owned comics professionally, we have to think like storytellers instead of fans. Editors aren't looking to hire the biggest fans of the characters. They're looking to hire the best creators with the best ideas.
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