A Quote by Ian Anderson
There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I used to write about experiences that a 20-year-old would write about - going out with your friends, having a drink. You know, things were a little bit sexier in a different way. Now, you know, I'm a mom, and I want to filter some of the things that I say.
Through time you learn from your experiences. I think I've learned to deal with people a little bit better over time. That in particular has developed a little bit.
For the most part, this record is autobiographical. At some point, the story of 'The Houston Kid' takes my experiences from 6 to 15 years old, and it sort of cross-pollinates with other kids in my neighborhood. It fuses their experiences with what was going on in my life.
Like most people, I find my own experiences - and my emotional responses to those experiences - fascinating and mysterious, even those that are a bit shaming and a little repellent.
I guess my music career is my personal life. You know, I've always been a writer who wants to write about my experiences. And so this experience being added to that, I - I want to live extraordinary experiences. And when I give advice to people, I want it to be sage advice.
Whenever I write about motherhood - and I write about it a lot - I am drawing on my experiences as a mother and also my experiences as a daughter.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
After you have 250,000 people watching your stuff every day, obviously you're going to have a few people who are going to get a little bit obsessed with your content. But I've never experienced it in a negative way. Perhaps that's because I'm lucky. I guess for some people, they experience it in a negative way and that's how the movie portrayed it.
Some great experiences I've had and little by little I've come to the realization that everything Frank Zappa told me was the truth, whether I wanted to believe it or not. You know, I was young and naive or in denial. But he really was a special, special human being.
I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
You are constantly changing & evolving through your experiences, how you interpret your experiences, and how you choose to do things in the future based on those experiences.
Fashion is a little bit pretentious. Whereas I feel like movies are just fun. That's just my perspective, based off my experiences, obviously everyone has different experiences.
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
There's always a little bit of anticipation - some people call it nerves - the night before, and although I always slept pretty well before big matches, you want to be on edge a little bit to get the best out of yourself.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.
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