A Quote by Ian Anthony Dale

Shadowing is really a great way to learn how the entire TV-making mechanism works. I had the distinct pleasure of shadowing the gifted and talented Allison Anders, who taught me a great deal about the importance of collaboration and trusting the talent around you.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
I absolutely loved learning how to do stage make-up at 16: it was so interesting to learn all about what you can do with make-up, such as contouring or shadowing eyes. We had a lot of fun.
I'm trying to learn things behind the camera and what a producer does and shadowing the directors.
It's been so great being on 'American Horror Story' and 'Scream Queens' because there were some days when I didn't work, and I would spend my time shadowing directors.
You learn this great lesson of life: it's not about me. It's just not. The matter of talent-which seemed so important to you when you were young-is not of great importance. We're simply a conduit. We take things out of the air into us and put them in the form of stories. That's pretty much it.
Coming in, I had no idea basketball would be a career for me, but I grew 7 inches in college and was fortunate to have a great career in the NBA. The experience taught me about service, what our great country was built on, the sacrifices people have made, how to work together and trust the people around you to accomplish a great goal.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
No matter how many great things you say about Jacques Pepin, there's always more. Through his books and videos, he taught me the importance of technique in the kitchen, but, more significantly, he showed me what it means to be a great teacher and educator.
I've been collecting art for much of my adult life. I started around 1960. And my wife and I really enjoy art a great deal. We don't have a lot of money, so we have works on paper, but we enjoy them a great deal.
Poetry taught me a great deal about language and images, but when it came to plotting, I was stumped. It's been very much a learn-by-doing thing for me.
The one great thing about a continuing collaboration is that they know you. And if you're really lucky, they really believe in you and think that your talent has some unending bounds to it.
I had the chance to learn from some really talented people who have taught me a lot.
And when you're with a great crew like we had, it becomes a thrilling, again, collaboration, which is to me one of the great aspects of the process that you go through. I find myself at this point in my career, getting potentially, incredibly bored if I stand around a lot, so that's why I really like the pace of television.
Over the years, I learned so much from mom. She taught me about the importance of home and history and family and tradition. She also taught me that aging need not mean narrowing the scope of your activities and interests or a diminution of the great pleasures to be had in the everyday.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
I believe that there are many talented Filipinos and their talent is great and globally competitive, just waiting to be tapped. I don't want such great talent to be wasted.
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