A Quote by Ian Brown
With the Roses, I knew we were great; I felt that we would achieve something. On my own, I had no idea.
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I feel like the Roses were a great group, but I never wanted to try to do it again. I knew I couldn't get a band that would compare to the Roses, that would have an impact like the Roses.
I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.
I knew Portuguese football and I knew that Rio Ave was a medium-sized club but I also knew they are organised off the pitch. We felt that we could achieve something special playing in a different way.
I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.
Nobody wanted to be in business with Death Row because, unfortunately, they felt there was an element there that could be dangerous. But I just knew they had great music and that they were a bunch of guys who wanted to make it out of the ghetto. That's something I can understand.
[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
You sensed that you should be following a different path, a more ambitious one, you felt that you were destined for other things but you had no idea how to achieve them and in your misery you began to hate everything around you.
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
At great periods you have always felt, deep within you, the temptation to commit suicide. You gave yourself to it, breached your own defenses. You were a child. The idea of suicide was a protest against life; by dying, you would escape this longing for death.
So many people have this idea: I want to achieve something great or be somebody great. And they neglect the step that leads to greatness. They don't honor this step at this moment because they have this idea of some future moment where they are going to be great.
I've always relied on discipline to achieve goals great and small. At a young age, my father instilled a real work ethic in me - and a fear of men. I always felt like if I didn't have a natural knack for something, I could kind of out-discipline the competition as it were. So I would always work as hard as I possibly could, sometimes to my own detriment and my personal life. For me, I think will power and discipline are very synonymous.
I felt like I had to be conscious of myself as a girl for the first time. I had to be more feminine. I had to look a certain way. And it's something that you want to suffer in silence, but I would go onto movie sets and they would bring out bras that were basically binders, because there were continuity problems between months.
I always had this idea that, 'Sure, I wished I was a boy and felt more like a boy and all of that.' But I wasn't, so I would deal with it. And I for some reason thought there were other lesbians that felt that way and that was just part of that community.
We knew from the beginning the level of commitment needed. We felt honored to work with Stanley Kubrick. We were going to do what it took to do this picture, whatever time, because I felt - and Nic [Nicole Kidman] did, too - that this was going to be a really special time for us. We knew it would be difficult. But I would have absolutely kicked myself if I hadn`t done this.
Even when disco went out, I could still make hits. Once I had so much success, every idea became concentrated. I had so much confidence. I knew how the bass should sound, what rhythms would work. The tempos I knew: 110 to 120 BPM. I knew they would dance in the clubs in New York or anywhere.
I always wanted to come into the spotlight. I always had dreams and plans of doing my own thing and creating my own image, so it came a little sooner than I thought it would but this is still something I knew I would be going through and would have to experience.
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