A Quote by Ida Rolf

God didn't come down and tell me; I had to find it out through many years of experience. The work came first; the inspiration came later. — © Ida Rolf
God didn't come down and tell me; I had to find it out through many years of experience. The work came first; the inspiration came later.
Many years later, after Niemöller had been imprisoned for eight years in concentration camps as the personal prisoner of Adolf Hitler, he penned these infamous words: First they came for the Socialists, and I did not speak out - because I was not a Socialist. Then they came for the Trade Unionist, and I did not speak out - because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out - because I was not a Jew. And then they came for me - and there was no one left to speak for me.
Steve Jobs came back to Apple in 1997 - the iPod came out 4 years later. 3 years after that is the first time his market cap grew. It took 7 years.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
I think there's such a thing as a performance gene. If it's in your DNA it needs to come out. For me, it originally came out through music, then segued into acting and came out through there. I always needed to get up and perform.
What is the best advice, business or otherwise, you've had and from whom? The best advice I've received came many years ago from my father. He told me that you should love whatever work you do, you should try to find something you truly enjoy. And I've been lucky through the years that the work I've been involved with has been challenging and for the most part, fun.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
I have cervical cancer. I'm what they call a DES baby... I have been cancer free for 7 years now... I had it the first time when I was 19 and then it came back a few years later after I went through treatment.
When I was born, the umbilical cord came wrapped around my neck, so when I came out, I wasn't breathing. The cord had cut off my oxygen - not the entire time, just at the end, when my mom was giving birth. When I came out, I wasn't conscious, so they had to work on bringing me back. It was a crazy moment.
When Johnny came to Baltimore the same time I came we were rookies. He did have some pro experience. He did go with the Pittsburgh Steelers and they cut him. I had no pro experience. My thing was that hey I got to make this team. Johnny Unitas wasn't Johnny Unitas.He was just like every other quarterback. You couldn't see the things we know that evolved out of that years later. As the years went on I could really start to see him settle in that position. Fortunately for Johnny U., Weeb Ewbank was there and he worked with his quarterbacks. He had them knowing every aspect of the game.
I've been writing since I was six. It is a compulsion, so I can't really say where the desire came from; I've always had it. My breakthrough with the first book came through persistence, because a lot of publishers turned it down!
My first record came out in 1961 and then I had one come out in 1962 and then I had two that came out in 1964.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
[the impression of the first time I heard Webern's music in a concert performance] was the same as I was to experience a few years later when I first laid eyes on a Mondriaan canvas...: those things, of which I had acquired an extremely intimate knowledge, came across as crude and unfinished when seen in reality
I had no real experience studying acting; I came to it having done other things for a living for many, many years, and I have this gigantic respect for experience and technique.
There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'
Many of my heroes, like Galileo, Maxwell, Newton and, less explicitly, Einstein thought what they were doing was finding out what God is. All of them had this inspiration that if you want to find out what God is, you have to look at his work.
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