A Quote by Ikue Mori
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to visit. I didn't intend to live here- I just wanted to get out and see what was happening. I just happened to stay here then.
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I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
I always wanted to live outside of Australia... because I think it's good to see the world and get out of where you've been living, particularly if you're from somewhere like Australia, which is so isolated from the rest of the world. I chose New York because there was such a great choice of acting classes and it's such an intense place.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
I have the cliche 'struggling actor' story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn't work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
I came first to America in 1977 at the invitation of a man who wanted to make my life story into a musical. But my agent said it was not to be and it was never done. So I went back, but I'd seen New York, and I wanted to live there. Because everybody talks to you in the street. See, nobody talks to you in England.
When I was 13, I would come visit my aunt and uncle in New York. I decided I wanted to live with them after seeing my cousin's school. Honestly, I just wanted to go to a school where I didn't have to wear uniforms, and my mom said okay.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
I'd seen so many people become stagnant in New Jersey - I had this fear I'd just stay there. They'd come out of high school, get a job, get married, have kids and die in Jersey. I wanted more.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
New York was where we wanted to live when we were finally grown up, and drink martinis and stay out past bedtime.
I was going through a time where I was like man I wanted all of my clothes to be totally understated and I would do pop color with hats from a line called Ale et Ange out of New york City. They created all these hats and I just thought they were super fresh and the only way that I could really get them across...I was just like, 'Let me make everything mute and just put on the hat.'
I couldn't wait to get out of school, but once I did, I didn't actually know what I wanted to do with myself. I don't really know how it happened, but I just started writing music and realized that's what I wanted to do.
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