A Quote by Imelda May
I'm not comparing myself at all to him, but I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know.
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I like the idea that Ernest Hemingway always wrote about certain things he knew, he knew the ins and outs, back to fronts of what he was talking about. I love that as an inspiration for myself, to keep it true to what you know. I'm always writing little lines and saving them for later.
I always wrote about myself in the third person. I knew how to promote myself so it sounded intelligent. I know how to package myself.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
Some of the things I have written about are a way of connecting with my father - I know he knew who Idi Amin was, and I know he knew who Longford was. And I know he knew who Nixon was, because shortly before he died, I talked to him about Watergate.
Ben Getty knew boxing. Even if I didn't believe in myself... he knew what he was talking about. For him to believe means I should believe it, too.
Back when I used to struggle with how I could define myself in the film business, I knew that I'd always remain true to myself and what I wanted to accomplish. The style of action I showcase is quite different from other stars we usually see, but I'm remaining true to myself, and hopefully this comes across.
You must realize that I was suffering from love and I knew him as intimately as I knew my own image in a mirror. In other words, I knew him only in relation to myself.
Taylor Sheridan I think wrote a very good script. It reeked of authenticity. He seemed like a guy who knew what he was talking about and it turned out that Taylor's uncle is a Marshal, so he knew things from that side.
In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
One thing I did was to create a Love Yourself List. I wrote down everything I like about myself, and put it on my bathroom mirror. Then I read it until I believed it. Any time I compared myself to others, and felt negative about myself, I'd go back to that list.
And in that moment, everything I knew to be true about myself up until then was gone. I was acting like another woman, yet I was more myself than ever before.
I feel like I'm always talking about myself, and I love not talking about myself.
[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.
I knew when I was 6. I just knew it; I didn't care about nothing else. If I didn't make it in this world, I would probably be homeless. I gave myself that little to fall back on.
I always want to abandon myself to my characters, and I never knew if I was actually abandoning myself to Lady Macbeth. I was scared to enter the darkness. Almost every day, I would go back home and be like, 'Oh my God, what am I doing?' I had no idea.
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