A Quote by Immanuel Velikovsky

It is difficult to describe in short the enthusiasm and devotion provoked by and given to my research. We lived almost in poverty. I used pencils, two for a nickel, and could not buy a fountain pen, when I lost mine.
I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.
You can buy a man's time; you can buy his physical presence at a given place; you can even buy a measured number of his skilled muscular motions per hour. But you cannot buy enthusiasm... you cannot buy loyalty... you cannot buy the devotion of hearts, mind or souls. You must earn these.
I work by hand, with a fountain pen, in bound notebooks I buy in India.
My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course. Ball-point pens are only good for filling out forms on a plane.
I talked to people in the pencil industry and I talked to people as I was sharpening their pencils about the frustrations they have with pencils, so I really did do my research and I do know more about pencils than most people.
I got to take classes in writing with a fountain pen, and actually, something you make is your own textbook. So, while you're learning about something, you have to write essays on it, and then you handwrite in cursive, in fountain pen, your essays out on beautiful paper and you bind it together into a book that you hand in at the end of the course.
I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty. As a child, my entire childhood was steeped in poverty.
Honestly, I had no idea that the heart could cause such trouble and strife. It could be broken and still mend. It could be wounded and still heal. It could be given away still returned, lost and found. It could do all that and still you lived, though according to some, only just.
To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.
Pope Francis emphatically does not buy the argument that poverty can be alleviated by the 'trickle down' effects of wealth creation. He is deaf to arguments that the global economy has brought a billion people out of poverty. He is convinced, in short, that the best and only way to expel poverty is fairer distribution of the world's goods.
I have almost never written about my experience as a soldier on the battlefield, because I tried, and I found that it is beyond my capacity to describe the battlefield. The battlefield consists mostly of smells, and it is very difficult to describe smells in words - very difficult indeed.
When I was at school, I used to end every school day with fountain pen ink all over my hands and face and down my shirt.
I don't think I ever owned twenty pencils at one time. Wearing down seven number-two pencils is a good day's work.
In fall 1967, I was given leave of absence by the National Public Affairs Research Foundation to move to Redondo Beach, California, to work on a short-term research contract with TRW.
I've lost my share in the pen. I don't keep track, but I've won much more than I've lost. Since I was released almost one year ago, I've gone 9-1. My only loss was to a punk that brought mace to the dance.
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