A Quote by Ira Glass

My first job on the radio was writing jokes for a Baltimore DJ called Johnny Walker, who was sort of a '70s era shock jock who all the teenage boys listened to in my school.
... the precedents for feminine self-expression run back through all the ages since the art of writing was invented. ... The era may witness the first female engineer, motor truck chauffeur, radio broadcaster, head of an aviation school, or federal prohibition officer, but it has not produced the first thinking, creative, and writing woman by any means.
I've called all sports. I was a radio DJ, club DJ, talk show host, hockey, basketball, football; you name it, I've done it.
I had started writing for 'Sports Illustrated,' which was really my dream job growing up. But the writing probably read like I was auditioning to write for 'Letterman' or '70s-era Carson.
In '84 there was Raheem, Slim Jukebox, and Sir Rap-A-Lot. Those were the first three members of the Geto Boys with DJ Ready Red. By '85 it was Prince Johnny C, Slim Jukebox, Bushwick Bill, and DJ Ready Red. By '89 it was Scarface, Willie D, Bushwick Bill, and Ready Red.
I was called Kool Dj Kurt Walker... but they wanted tocall me Kurtis Blow.
My first job was singing on the Cas Walker radio show in Knoxville, Tennessee. I was about 10 years old, and I thought it was big time.
My first job was singing on the Cas Walker radio show in Knoxville, Tennessee. I was about 10 years old and I thought it was big time.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
I'll never forget a meeting with one publisher where they said, 'We don't publish books for teenage boys; teenage boys don't read.'
I have teenage boys and I think teenage boys require a father to have eyeballs on them at all times.
To be a DJ was to be God. To be a DJ at an alternative public radio station ? That was being God with a mission. It was thinking you were the first person to discover The Clash and you had to spread the word.
When I started reaching teenage years, I listened to everything that was on the radio like everyone else did, which was Chuck Berry, Beach Boys and then of course The Beatles, Stones. And of course in the 60's, I was completely blown away like everyone else by Hendrix, Cream, Deep Purple, Jeff Beck and all of that... so those were my influences.
Sometimes, the hardest foster children to take are teenage boys, which I was one, and I was never adopted or anything, and so I think if people up more for teenage boys, that might be beneficial.
I remember when I was about 15 and still listened to Pet Shop Boys and Chas And Dave, some lad at school lent me a Blur tape, and it had on it a song called 'Bank Holiday.' I said, 'What's this? I liked that tape, but that one song is a bit fast'. He said, 'Yeah, it's punk. It depends what mood you're in.' And then something sort of clicked in me.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
I've followed Notre Dame football since 1946, when I listened on the radio and Johnny Lujack tackled Doc Blanchard in the open field to preserve a 0-0 tie.
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