A Quote by Irene Cara

My fans are grown now. They are not expecting me to do the bubblegum pop I did 20 years ago, even though it was pretty substantive. It was saying more than bubblegum pop says today. I am continuing where I left off.
I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.
I don't see myself as a pop artist. Like, when you hear 'pop,' you're like, 'Oh, bubblegum, jumpy little girly stuff,' and I feel like, 'Uh-uh. That's not me.'
People would expect me to be this ditzy, bubblegum-pop girl. I was selling myself short.
My fashion icons range from bubblegum pop princesses to grunge queens.
I've had my bubblegum years and I did them well. Now it's time to come back as the woman, artist, and musician that I am without apologizing.
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.
Some of my earliest political feelings were based on the anti-Japanese bubblegum cards I got. There were also Spanish Civil War bubblegum cards. Awful.
A lot of that I base on, "Is it still going to sound interesting and fresh to me in five years, am I going to be embarrassed by this in five years?" It's easier for me to do stark, moody, pretty stuff, and I have all this pop stuff inside me, but it's a lot more dangerous, and pop is just apt to sound contrived and sort of pedestrian if you're not careful.
I saw soda pop for $1.20 a six pack. That price messes with your head. You start thinking you're gonna sell soda pop. Suddenly I've got packs of pop with me. "Looking to buy some pop? 50 cents a can. It's not refrigerated because this is a half-assed commitment!"
I'm not quite sure. Probably because "Hanky Panky" and "I Think We're Alone Now" had more to do with it than anything else. For some reason, staccato eighth notes on a bass sounded like bubblegum. Basically, groups like the 1910 Fruitgum Co. took my early format and kind of perverted it, and made these mindless pre-fab hits over and over. In the 60s, anybody who was making commercial music, that is music that didn't have a political slant to it, or wasn't taking drugs, was bubblegum. And that term kind of hung on a lot of people back then, and it's unfortunate.
If I'm honest, my heart and my belly are saying that you're more likely to find me in a greasy spoon than a pop-up, but some of this pop-up stuff is great!
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
I'm not saying I'm glad it happened. Not exactly. But I'm not sorry to be the person I am today, and to have the life I have now. Even though it's not what I thought I wanted for my future, a year ago, it is what I want now.
I don't like to dwell on the past. I'm interested in Fischerandom now, I am working on a new clock, I'm trying to make chess a more exciting game today. I am not interested in sitting in my rocking chair thinking what I did 10, 20 or 30 years ago.
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