A Quote by Isaac Bashevis Singer

There is a quiet humor in Yiddish and a gratitude for every day of life, every crumb of success, each encounter of love... In a figurative way, Yiddish is the wise and humble language of us all, the idiom of a frightened and hopeful humanity.
Even though I loved the song [My Yiddish Momme] and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing.
Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
One can find in the Yiddish tongue and in the Yiddish spirit expressions of pious joy, lust for life, longing for the Messiah, patience and deep appreciation of human individuality.
Yiddish is the voice of exile, the tongue of ghettos, but I'll shed a tear when it joins ancient Greek and dead Latin. For gossip and insult, you can't beat Yiddish.
My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.
In another project I worked on just a few years ago, a staging of Peter and the Wolf, which I translated into Yiddish and sang on a stage in New York City. Thank God very few people knew I was doing it! But the kids in the audience loved it - even though it was all in Yiddish.
I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.
Day and night, and every moment, there are voices about us. All the hours speak as they pass; and in every event there is a message to us; and all our circumstances talk with us; but it is in Divine language, that worldliness misunderstands, that selfishness is frightened at, and that only the children of God hear rightly and happily.
On a crowded bus in Israel, a mother was speaking to her son in Yiddish. An Israeli woman reprimanded her. "You should be speaking Hebrew. Why are you talking to him in Yiddish?" The mother answered, "I don't want he should forget he's a Jew."
To me the Yiddish language and the conduct of those who spoke it are identical.
I am determined to give the Yiddish language a fighting chance to survive.
I really feel gratitude every day in my life that I'm able to do what I love, and I think, because I have that passion and spirit, I've had success.
Yiddish, the language which will ever bear witness to the violence and murder inflicted on us, bear the marks of our expulsions from land to land, the language which absorbed the wails of the fathers, the laments of the generations, the poison and bitterness of history, the language whose precious jewels are the undried, uncongealed Jewish tears.
It's self-effacing, it's hard-luck, the shtetl stories. All those Coasters things are an amalgam of Yiddish and black humor.
The Yiddish language is so rich and unusual that I've always been hooked on its sounds, although I don't speak it.
Every good writer has much idiom; it is the life and spirit of language.
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