A Quote by Isaiah Washington
I enjoy bringing humanity to complex characters.
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I enjoy the writing process and producing; I enjoy seeing an idea come to fruition. I'm driven by very complex characters. You look at the pilot of 'Breaking Bad,' where there's so much depth to the character, you can't help but be invested when you watch.
I think it's really important to depict complex, flawed LGBT characters, because we are all connected by our humanity.
I really enjoy 'Mad Men,' but I'm hugely into 'Homeland.' The characters are very well drawn and complex.
I love complex characters - strong females who are vulnerable but have a life and soul. That's what I'm drawn to and what I enjoy most.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
I enjoy taking on complex, difficult characters and have always striven to capture the truth of those people, whether or not it's popular.
The audience basically likes complex characters, and bringing out the complexities is the actor's job. The audience doesn't have the script, the actor does.
It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy.
'Ida' doesn't set out to explain history. That's not what it's about. The story is focused on very concrete and complex characters who are full of humanity with all its paradoxes. They're not pawns used to illustrate some version of history or an ideology.
I like to play complex characters and the duality, and trying to reach for the light, it's more interesting really. I've gotten to play so many types of guys and I just try to find the humanity in each one of them the best I can.
Sometimes I make my life a living hell by writing complex stories with complex characters. But I love it.
Not acknowledging that beauty is complex-that's the problem. I enjoy making it complex for people, because that's my world.
O'Neill presents a very complex multi-layered kind of challenge. His characters are always deeply complex and, to a great extent, inaccessible.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
I'm not trying to force something, but I do enjoy working behind the scenes and I do enjoy bringing all of the ingredients to the kitchen so that we can make the movie.
After the complex characters in 'Mayaanadhi' and 'Varathan,' my characters in 'Vijay Superum Pournamiyum' and 'Argentina Fans Kaattoorkkadavu' were bubbly ones.
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