A Quote by IU
Before, I was always the kid that was in the background. It was hard for me to get casted in even one program, and when people thought that I was a guest on a show for the first time when I had been on before, it saddened me. Suddenly getting the spotlight? That's! Not! True!
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The media had me convicted of doing something wrong before I had even done anything at all, before I had talked to anyone, before I get out of bed. I'm always the bad person.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.
I had always been interested in the space program, and I didn't know if I could be an astronaut like I'd dreamt about when I was a little kid - to me it sounded kind of silly, someone grow up to be an astronaut - but, when I was in my 20s, I thought maybe I can get a job with NASA or a contractor, do something with the space program.
It was great for me getting a chance to grow up as a normal kid just out of the spotlight, versus all of them growing up in New York. They always had that intense media and spotlight on them.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you. . . . Then when you are badly wounded the first time you lose that illusion and you know it can happen to you. After being severely wounded two weeks before my nineteenth birthday I had a bad time until I figured out that nothing could happen to me that had not happened to all men before me. Whatever I had to do men had always done. If they had done it then I could do it too and the best thing was not to worry about it.
My part of Brooklyn has always been a very warm neighbourhood, even before I had anything going on in the music industry. When I step out of my house to go for coffee on Saturday mornings, I might say hi to 20 people before I get to the cafe. I think they feel they own me, in a way.
My illness has changed me - I've always thought "life is short and I wanna make as much of it as I can," but I really don't have time to mess around. This has really been a wake-up call in terms of what's important, and I'm working hard to figure that out. I need to get better at not doing favors for people all the time. It's hard because there's so many people who have helped me get to the point where I'm in a band that people wanna come see, or where people pay money to see me lecture.
I have always been the first on the dance floor. Before fame, people thought it made me a good laugh; now, people point and call me an attention seeker! I'm very aware of the way people can view me, but I'm very aware that I have to just enjoy my life.
For me becoming a painter was an Everest, in terms of what I thought a painter was. There are many roads to becoming an artist. For me it wasn't art school. I didn't have that go to art school and then get a gallery. It's more like, how deep is your inner library to cull from. It's certainly not about technical prowess, just about depth of investigation. It takes time. I had 15 years of painting under my belt before my first New York show. I was glad to have that. It's a good thing to spend your twenties getting your craft.
Having watched television, I would kind of play the role or picture myself on a television show or something like that. That's maybe always been true of a certain type of kid, even before television maybe, but I think it's been amplified to an insane level.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
People didn't stop me before for a guest spot that I did on 'Smallville.' Nothing against 'Smallville,' but people didn't freak out in traffic to tell me they love my show.
I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.
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