A Quote by J. A. Konrath

I know dozens of authors who have had a lot of books published by New York, and they won't ever take another Big 6 contract since they've gotten a taste of the freedom, control, and money self-publishing offers.
The standard publishing contract is replete with clauses that strip authors of control over their books.
I know another New York Times bestselling author - Beth Kephart - she self-published one of her books.
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
Amazon is such a big player in publishing, but a lot of authors feel this connection to their publishing house and their editors who helped them get their books out there, so their loyalties tend to go that way.
I am hoping to work with writers publishing books for first time, since I of course remember what that experience is like. It's all a bit of a mystery for new authors who don't know what to expect.
I think the reason I've published so few books is that I have a pretty high expectation of self-reinvention between books and I would prefer to have been in this world and published fewer works than I would publishing the books that would reveal the process of the changes.
I was in the second year of my PhD when I first had the idea - I'd recently started working as a translator, which meant firstly that I was hearing about amazing-sounding books from other translators, and also that I was getting enough of an insider's view of the publishing industry to be aware of all the implicit biases that made it so difficult for these books to ever get published, especially if they weren't from European languages (harder to discover, editors can't read the original, lack of funding programmes, authors who don't speak English).
Self-publishing in comics is core to the whole artform. There is no scarlet letter in comics as there still is, to some degree, in prose. As no publisher for a long time would publish serious work in comics, the only way a lot of it came out was because of self-publishing. Many of the greatest works of the medium are self-published.
I don't read a lot of books that were published after 1755. One thing about having friends in New York who belong to the literary world, however, is that I have a steady stream of books coming to the house.
Until I became a nurse, no one had ever asked me to sign a book contract. I had been writing for decades, read thousands of books, and even worked in publishing for 10 years. Who knew that nursing would be my break?
I was 17 when I wrote a collection of short stories and wanted it published but it didn't happen. A lot of publishing houses don't allow young authors to enter into writing segments.
I had my success too soon. Three books published with Scribners in New York before I was 30.
I had my success too soon. Three books published with Scribner's in New York before I was 30.
In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
The Internet offers authors and their readers a new diversity of opportunities and freedom.
New York is the Hollywood of the publishing industry, complete with stars, starlets, suicidal publishers/producers, intrigues, and a lot of money.
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