A Quote by Jack Antonoff
It probably all started with The Beatles, and then I guess it goes out from there. Springsteen... Fleetwood Mac... I mean, that's all so inherent in us that when we're making records now, we take a lot from the artists who are around us.
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If you look at the history of popular music, the most successful musicians have started out being really marginal and esoteric. The Beatles and the Rolling Stones. Madonna. Prince. Bruce Springsteen. Fleetwood Mac. David Bowie. Public Enemy. Nirvana.
When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.
Defining something being a Fleetwood Mac song is calling it a Fleetwood Mac song, you know? Nothing becomes Fleetwood Mac until that's what you call it.
You were out on tour, 75 cities in 80 days, and then making records on top of it. And they started calling us the Hollywood Vampires 'cause anybody only saw us at night.
My parents were always playing records: My mom was really into the Beatles and Fleetwood Mac, and my dad was more Billy Squire, Whitesnake, '80s hair metal. But I think there's that crucial point where you become an adolescent and you don't want to listen to your parents' music.
When we toured... I was hungry to take out people like Jeff Beck in front of us; Fleetwood Mac, just before they hit; Heart, just before they hit.
Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
I guess you can look at Fleetwood Mac as the 'Pirates Of The Caribbean' movies and my solo career as indie films.
I thought, 'A biennial needs artists. I'm going to do an international biennial; I need artists from all around the world.' So what I did was I invented a hundred artists from around the world. I figured out their bios, their passions in life and their art styles, and I started making their work.
I'm already 30! It doesn't really feel like a landmark. When I started out, my aim was to keep making records. Just because I've reached the 10th doesn't mean I'm going to rest on my laurels now!
When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.
I guess I see 'Goo' half as a really New York record because I think there are a lot of really particular New York references on it, but I also see it, for us, as the first of our records that really opened up to the larger world around us.
Fleetwood Mac always take a long time to make a record - you know what.
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