A Quote by Jack London
When, on the still cold nights, he pointed his nose at a star and howled long and wolf-like, it was his ancestors, dead and dust, pointing nose at star and howling down through the centuries and through him. And his cadences were their cadences, the cadences which voiced their woe and what to them was the meaning of the stillness, and the cold, and dark.
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Black musicians were imitating speech cadences, and Kerouac was imitating the black musicians' breath cadences on their horns and brought it back to speech. It always was speech rhythms or cadences as far as the ear that Kerouac was developing. All passed through black music.
Soldier, there is a war between the mind
And sky, between thought and day and night. It is
For that the poet is always in the sun,
Patches the moon together in his room
To his Virgilian cadences, up down,
Up down. It is a war that never ends.
While he has not, in my hearing, spoken the English language, he makes it perfectly plain that he understands it. And he uses his ears, tail, eyebrows, various rumbles and grunts, the slant of his great cold nose or a succession of heartrending sighs to get his meaning across.
Walking the streets on winter nights kept him warm, despite the cold nocturnal passions of uprising winds. His footsteps led between trade-marked houses, two up and two down, with digital chimneys like pigs' tits on the rooftops sending up heat and smoke into the cold trough of a windy sky. Stars hid like snipers, taking aim now and again when clouds gave them a loophole. Winter was an easy time for him to hide his secrets, for each dark street patted his shoulder and became a friend, and the gaseous eye of each lamp glowed unwinking as he passed.
Lastly came Winter cloathed all in frize, Chattering his teeth for cold that did him chill; Whilst on his hoary beard his breath did freese, And the dull drops, that from his purpled bill As from a limebeck did adown distill: In his right hand a tipped staffe he held, With which his feeble steps he stayed still; For he was faint with cold, and weak with eld; That scarce his loosed limbes he hable was to weld.
Cold?" Ravus echoed. He took her arm and rubbed it between his hands, watching them as though they were betraying him. "Better?" He asked warily. His skin felt hot, even through the cloth of her shirt, his touch was both soothing and electric. She leaned into him without thinking. His thighs parted, rough black cloth scratching against her jeans as she moved between his long legs. His eyes half-lidded as he pushed himself off the desk, their bodies sliding together, his hands still holding hers. Then, suddenly, he froze.
You have to be very deep to be dead, he thought, and I'm not. He began to have some concept of forever, and his mind shivered as his body had when he had wakened in the cold nights and thrust his hands between his thighs to keep warm. It will be a long night, he thought.
The child had indeed shut up but all the questions that had accumulated on his tongue circulated in his mouth, moved through the passages of his nose and climbed up from there to tickle into his teardrop ducts, so in his moss green pupils, curious, insistent, accusing sparks of questions continued to light up and fade away like fireflies flitting about on summer nights.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
The meaning of a poem is in the cadences and the shape of the lines and the pulse of the thought which is given by those lines.
He'd been numb a long time, years. All his nights down Ninsei, his nights with Linda, numb in bed and numb at the cold sweating center of every drug deal. But now he'd found this warm thing, this chip of murder. Meat, some part of him said. It's the meat talking, ignore it.
Kamby Bolongo Mean River is an original and fearless fiction. It bears genetic traces of Beckett and Stein, but Robert Lopez's powerful cadences and bleak, joyful wit are all his own.
His mouth opens. From inside him comes a slow stream, without breath, without interruption. It flows up through his body and out upon me; it passes through the cabin, through the wreck; washing the cliffs and shores of the island, it runs northward and southward to the ends of the earth. Soft and cold, dark and unending, it beats against my eyelids, against the skin of my face.
Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.
The dark prince sat astride his black steed, his sable cape flowing behind him. A golden circlet bound his blond locks, his handsome face was cold with the rage of battle, and... "And his arm looked like an eggplant," Clary muttered to herself in exasperation.
Cold be hand and heart and bone, and cold be sleep under stone: never more to wake on stony bed, never, till the Sun fails and the Moon is dead. In the black wind the stars shall die, and still on gold here let them lie, till the dark lord lifts his hand over dead sea and withered land.
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