A Quote by Jack Thorne

I'm a constant idiot in conversation - I always seem to sound either smug or stupid. Writing plays was a way of winning the conversation by controlling the conversation.
I'm always for constructive conversation, meaningful conversation, not just words, but conversation.
This conversation with the audience has been going on since, what, '72, '73... Sometimes it's like a conversation after dinner with friends. You're in a restaurant, and you got there at 8 o'clock. Suddenly, you realize it's midnight. Where did the time go? You're enjoying the conversation. It's sort of a natural, organic conversation.
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
People seem to see no difference between an intimate conversation and a conversation at the water cooler.
A big part of the challenge is teaching your kids how to have a real conversation, not a texting conversation. If they're not sitting down at the table, the art of conversation is going to go.
Everything I am going to say to you is the child of a conversation. [...] That is the aspect of conversation that particularly excites me: how conversation changes the way you see the world, and even changes the world.
I think women are deeply interested in a conversation around fertility. It's not a conversation just for one age group of women, a conversation if you're post 30 or post 35. This [is] conversation about reproduction, about taking your own power with you and deciding for yourself.
'The Conversation' is one that, if you watch 'The Conversation' for the opening sequence, where you hear a conversation taking place as the master - this zoom from way up is zooming in over a park. And I was just absolutely blown away by it because you can hear exactly what's happening, but you don't see. You've got no idea who's talking.
I have got to look at the flip side of things, because, in a way, music is always a conversation, you know? It's a conversation between the musician and their tools and their technologies.
We have a choice. We have two options as human beings. We have a choice between conversation and war. That's it. Conversation and violence. And faith is a conversation stopper.
All the research shows that the presence of that phone will do two things to the conversation. It will make the conversation go to trivial matters, and it will decrease the amount of empathy that the two people in the conversation feel toward each other. That phone is a signal that either of us can put our attention elsewhere.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
We can either have a twenty-first-century conversation about morality and the human well-being - a conversation in which we avail ourselves of all scientific insights and philosophical arguments that have accumulated in the last two thousand years of human discourse - or we can confine ourselves to a first-century conversation as it is preserved in the Bible.
Poster art was always my way of being involved in the conversation. So it wasn't just a one-way conversation with the police yelling at us or freaking us out. Street posters allowed you to have the last word.
The first phase of social media was listening to the conversation. The second phase was joining the conversation. The third phase will be hosting the conversation on your site.
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