A Quote by Jackie Chan

Honestly, every movie I do in America, the only challenge for me is English. I've done everything already, for me it's pretty easy. Only the English. — © Jackie Chan
Honestly, every movie I do in America, the only challenge for me is English. I've done everything already, for me it's pretty easy. Only the English.
I learned English kind of late. I remember when I got my first opportunity to work in America, I didn't speak a lot of English, so I only really knew my lines for the movie I was doing.
In the 19th century, the English were loathed. Every memoir that you read of that period, indicates the loathing that everybody felt for the English, the only difference between the English and Americans, in this respect, is the English rather liked being loathed and the Americans apparently dislike it intensely.
English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.
Both of my parents sacrificed a lot. My dad, Tero, would drive me to training every single day. My mum, Teija, came to Seville to help me. She did everything for me. It was such a big place to go at 17. Even if you can speak English, it doesn't matter there. It was all Spanish. They don't do English.
For me, it's a big challenge to translate everything in English.
I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.
The revival of Hebrew, as a spoken language, is a fascinating story, which I'm afraid I cannot squeeze into a few sentences. But, let me give you a clue. Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
I remember when I got my first opportunity to work in America, I didn't speak a lot of English, so I only really knew my lines for the movie I was doing.
Honestly, I don't think I'm exceptionally pretty or talented. But the advantage I have is that the performances I do can only be done by me.
I think in Arabic at times, but when I'm writing it's all in English. And I don't try to make my English sound more Arabic, because it would be phony - I'm imagining Melanie Griffith trying to do a German accent in Shining Through. It just wouldn't work. But the language in my head is a specific kind of English. It's not exactly American, not exactly British. Because everything is filtered through me, through my experience. I'm Lebanese, but not that much. American, but not that much. Gay, but not that much. The only thing I'm sure of, really, is that I'm under 5'7".
I always lived in a multilingual society (Polish-Ukrainian, German-Ukrainian, English-Ukrainian), and was open to outside linguistic influences. I think it was within three years of coming to the US that I started writing in English, although purely for myself, not trying to get it published. Living in America, I was constantly in touch with English, and Ukrainian was for me a private language.
People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.
Some people say I sound Australian. I guess it's all down to Miss Matthews, who taught me English when I was growing up in Dar es Salaam. Nearly everyone in Denmark speaks English, and TV shows are only ever subtitled, not dubbed.
Until the age of five, my parents spoke to me in Chinese or a combination of Chinese and English, but they didn't force me to speak Mandarin. In retrospect, this was sad, because they believed that my chance of doing well in America hinged on my fluency in English. Later, as an adult, I wanted to learn Chinese.
Writing in English was a major challenge. I didn't want other songwriters to write for me. I wanted to preserve the spirit of my songs in Spanish. I am the same Shakira in English as I am in Spanish.
In Korean, my lyrics are witty and have twists. But translated into English, it doesn't come over. I've tried writing in English, just for me, but it doesn't work. I've got to know everything about a culture, and I don't.
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