A Quote by Jackson Pollock

The idea of an isolated American painting , so popular in this country during the thirties, seems absurd to me, just as the idea of a purely American mathematics or physics would seem absurd... And in another sense, the problem doesn't exist at all; or, if it did, would solve itself: An American is an American and his painting would naturally be qualified by the fact, whether he wills or not. But the basic problems of contemporary painting are independent of any one country.
What constitutes American painting?... things may be in America, but it's what is in the artist that counts. What do we call 'American' outside of painting? Inventiveness, restlessness, speed, change.
I can't think offhand of any American poets who have Mandelstam's urgency, but it's a different country and a different time, and I don't think it would make much sense to say that this is something that's "missing" from contemporary American poetry.
The United States is an illegitimate country, just like Israel. It has no right to exist. That country belongs to the Red man, the American Indian... It's actually a shame to be a so-called American, because everybody living there is a usurper, an invader taking part in this crime, which is to rob the land, rob the country and kill all the American Indians.
[United States] are sovereign country, they are an independent country, but this is their limit; they don't have to interfere in any other country. Because of this interference for the last fifty years, that's why they are very good only in creating problems, not in solving problems. That's the problem with the American role.
President Trump is performing a political exorcism on those who prefer to turn the U.S. into a socialist country - a country where the American Dream would become the American Nightmare.
Everybody has called Pop Art 'American' painting, but it's actually industrial painting.
American poetry, like American painting, is always personal with an emphasis on the individuality of the poet.
Pablo Picasso would paint a painting and hang it on the wall, and you would go and see the painting exactly how he wanted it to be made. But if you have an idea for a TV show, for example, you're beholden to studios to produce it and distributors to distribute it.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
You're going to see a rise of the white male voter who feels like they're not secure, their country has been taken away. They cherish the American flag. They have fought for the American flag. They have fought for the American idea and the ideal.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
Sometimes working on one painting will help solve a problem in another painting.
Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don't make sense.
Every time somebody writes a theory about where literature's going, that person is not only contributing thought but nudging things to happen in one way or the other. Just as in painting, there's much more interest in the American scene painters and the early American... like the Ashcan school of painters. Who would have thought, 50 years ago, that Norman Rockwell would again be considered a serious painter? And yet, there are a lot of people who are saying Rockwell was a very accomplished technician. These things are constantly moving.
The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.
This site uses cookies to ensure you get the best experience. More info...
Got it!