You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Which is why I felt I was truly blessed this year, with leads in two nice films, and also the luxury of being able to do a studio film and an independent afterwards was fantastic.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
There's big studio films I didn't want to do. I didn't want to go through the hoops and ladders. I wouldn't have been able to work with the directors I've worked with if I did those studio films.
The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well. I'd love to be able to do a mixture.
It's been TV and a lot of independent films. I'm so happy and blessed to have all these opportunities. But I'm also working on somebody else's project.
Good female parts are hard to come by, so I go all over the place to find them: cable TV, network movies of the week, foreign films, independent American films, studio films, the stage.
Independent films, for the most part, to me, are not so independent. They often feel like people auditioning for a big commercial career. They often do not have independent spirit to them.
I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.
I'm really, really blessed. Not only am I blessed to have found that I love making films, but I'm also insanely blessed to be able to do it. I have to remind myself that when I'm complaining.
I financed and made my own films from the start. My path has been autonomous and independent, so I don't have any horror stories about glass ceilings and expectations and tense studio meetings.
It's been a long blessed career. I've been riddled with injuries the past two and a half years and haven't been able to quite compete as I'm accustomed to. At this point, I just really want to enjoy it and put it all on the line when I'm out there.
I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.