A Quote by Jacques Derrida
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
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I dreamed I spoke in another's language, I dreamed I lived in another's skin, I dreamed I was my own beloved, I dreamed I was a tiger's kin. I dreamed that Eden lived inside me, And when I breathed a garden came, I dreamed I knew all of Creation, I dreamed I knew the Creator's name. I dreamed--and this dream was the finest-- That all I dreamed was real and true, And we would live in joy forever, You in me, and me in you.
On of the reasons that I wanted to study literature was because it exposed everything. Writers looked for secrets that had never been mined. Every writer has to invent their own magical language, in order to describe the indescribable. They might seem to be writing in French, English, or Spanish, but really they were writing in the language of butterflies, crows, and hanged men.
Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 (.....) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times.
I dreamed of myself in a dream, and told the dream, which was mine, as if it were another person's of whom I dreamed. Indeed what is life when thinking of the past, but dreaming of a dream dreamt by another who seems to be oneself?
Certain issues in philosophy of science (having to do with observation and the definition of a theory's empirical import) had beenmisconstrued as issues in philosophy of logic and of language. With respect to modality, I hold the exact opposite: important philosophical problems concerning language have been misconstrued as relating to the content of science and the nature of the world. This is not at all new, but is the traditional nominalist line.
Nothing in this life is certain aside from death, taxes and English literature graduates writing in the Guardian and spoiling your enjoyment of things you had previously thought were fine.
Marriage is the internationally recognised system of relationship recognition. It is the global language of love. When we were young, most of us dreamed of one day getting married. We didn't dream about having a civil partnership.
As I have begun to write my memoirs, I have begun with my childhood; memories which were hidden, suddenly appear before you, finding expression through my writing.
While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.
In thus pointing out certain respects in which philosophy resembles literature more than science, I do not mean, of course, to imply that it would be well for philosophy if it ceased to aim at scientific rigor.
The liberation movement which I led in Algeria, the organization that I created to fight the French army, was at first a small movement of nothing at all. We were but some tens of people throughout Algeria, a territory that is five times the size of France.
The liberation movement which I led in Algeria, the organization that I created to fight the French army, was at first a small movement of nothing at all. We were but some tens of people throughout Algeria, a territory that is five times the size of France
I had dreamed of something so different from what reality was now offering up, but that dream had been a blind man's vision. That dream was a miracle. The morning was fading. And I remembered yet again that I was a tourist here.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
Innovation comes spontaneously. I don't know if I've done anything new. If I have, it's just because I had begun to feel for some time that I couldn't stand certain films, certain modes, certain ways of telling a story, certain tricks of plot development, all of it predictable and useless.
One of the things I want to do in the book is to explore how philosophy can be done in literature. I start doing that in the first chapter, by introducing the idea of "philosophy by showing". What literature/philosophy shows is how to look at some important facets of life in a new way, thus changing the frame in which subsequent philosophical argument proceeds.
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