A Quote by Jaideep Ahlawat

You get more time to see the growth of a character in a series, there's no scope for that in films. — © Jaideep Ahlawat
You get more time to see the growth of a character in a series, there's no scope for that in films.
I've worked in the theater, television, and films. A five-hour TV series is certainly more time than a character I'd be playing in a film.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
I love doing a series because you get to see changes in a character and see her grow. It's a journey with change, and you don't get to see that long-term type of development with just a film.
Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
In each of its forms, love has an infinite scope of potential expansion, all of which I see leading to growth.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
When you get an invitation to come back and be part of the team that will be the architect of the next generation of growth, when you get an opportunity in a business of the size and scope of McDonald's, that's incredibly attractive.
That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.
What's fun about doing a series is you get to take some time to create the character.
I think hopefully as you're getting older you're getting parts that require more preparation, and by that I just mean - I don't know, usually the older you get you get characters with more responsibility. Each one is different, there are certain movies that when the guy starts you pretty much come with that character on page one and then you see their growth, whereas other guys a lot has happened before that movie starts and you have to come in with something.
Cable series have more time to focus on characters, and a structure that allows for a development in character as you go along. Network shows have a pressure of time and space that is completely different.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
The more you spend time with a character, the more you see different nuances of that character.
You'll see more violence in any television crime series than you will in my films... Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing.
You'll see more violence in any television crime series than you will in my films Art is there to have a stimulating effect, if it earns its name. You have to be honest, that's the only thing.
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