A Quote by Jake Gyllenhaal

I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get them... sometimes, and it would surprise them.
I went to public school my whole life, graduated high school with my class. Growing up, I'd go to an audition, my friends would go to soccer practice and we'd all reconvene and hang out in our neighborhood. When I would book something, I would never tell my friends. Acting was just fun. I was a kid, I wasn't jaded.
I went to public school my whole life, graduated high school with my class. Growing up, I’d go to an audition, my friends would go to soccer practice and we’d all reconvene and hang out in our neighborhood. When I would book something, I would never tell my friends. Acting was just fun. I was a kid, I wasn’t jaded.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
'Quick Change' was my first real movie. It was an interesting audition process because there were no lines in the script. Bill Murray's character would say something, and Geena Davis and Randy Quaid would say something, and then it would just say, 'The cabbie speaks.' How do you audition for that?
...You don't always get what you expect. I wish someone, sometime when I was growing up, would have told me what expectations would get me. ... Our parents, schools, everyone tells us things will be a certain way when we're adults and if they're not that way, we should make them be; or at least pretend. But after a certain point that just doesn't work.
I would always pick pop songs and would sing them even if they were not correct for the audition - which didn't always get me a lot of jobs, but sometimes they did.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
In high school, I tried out for every sport there was. But none of them would have me. When I was a freshman, someone asked me to go audition for a play with them. I got in and didn't want to do anything else for the next four years.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I was once up for a part, and the male star was also producing the movie. They were talking about meeting with him or having an audition with him, and then we get the message, 'He wants to have dinner with you.' I said, 'Is that the audition, or is it that he just wants to have dinner with me?'
Getting on 'SNL' wasn't just about getting cast. I had written all this stuff in my audition, and I wrote several things that got on the air. But to me, I've never been interested in being picked. So when I do get sent things, most of the time I do pass on them because it doesn't feel like it would be fulfilling.
When I was growing up, I grew up in church--my father was a pastor--so when I was growing up in Trinidad, I'd close all the windows in the church and go in the church every day after school and get a little microphone and pretend all these people were in the pews, and I would sing to them.
My parents preached so much about Christianity and my mother thinks Jesus is the best thing that ever happened to the world - which he is - and God found a way of making examples for me. Like, just growing up, bullets would hit my partner but not me and I'd be right there. Or my Dad had a thing where he would make me play for the sorry team during football and make me go up against all my friends. It built a certain kind of character and a humble factor into me because I knew I had to work for it. And then to be able to beat them or be just as successful at so many things.
My first audition as a little girl was 'Interview with the Vampire' for Kirsten Dunst's part. Back then, they were meeting all different kinds of girls, and I was one of them. There's got to be an audition tape somewhere on VHS. Who would have known that many years later I would be on a vampire show?
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
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