A Quote by Jaleel White

There's a bit of hazing when it comes to the youth performers and a disbelief that you're capable of handling dramatic or comedic material on an adult level. — © Jaleel White
There's a bit of hazing when it comes to the youth performers and a disbelief that you're capable of handling dramatic or comedic material on an adult level.
I do think, oddly, that a comedic actor has a better chance of pulling off a dramatic role than a great dramatic actor has of being able to pull off a highly comedic role.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
You're an actor, are you? Well, all that means is: you are irresponsible, irrational, romantic, and incapable of handling an adult emotion or a universal concept without first reducing it to something personal, material, sensational - and probably sexual!
I'm labeled a comedic actor, which is awesome. But I love getting the occasional dramatic role, too. Some of your best dramatic actors are ultimately comedians.
Life is dramatic and comedic at times. Sometimes in the most dramatic situations, there is comedy. And good comedy comes from a sense of reality.
I think I'm a better comedic actress than I am a dramatic actress, but everybody believes I'm this dramatic actress and I'll take it.
The distance between the actual developmental level as determined by independent problem solving and the level of potential development as determined through problem solving under adult guidance or in collaboration with more capable peers
One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
Scientists say that 2 degrees is the furthest we can push the planet before it turns on us. Much like a sorority girl you keep hazing and hazing until she has no choice but to report you to the national chapter.
I used to coach a lot of hockey. I'd love to be a hockey coach, a bit more of a dramatic role and not comedic. I would go back to my hockey roots, that would be fun.
I try to think of myself as both comedic and dramatic.
Experiments show that children in unsupervised groups are capable of answering questions many years ahead of the material they're learning in school. In fact, they seem to enjoy the absence of adult supervision, and they are very confident of finding the right answer.
I try not to be too plot-heavy and to balance the dramatic with the comedic.
It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.
We live in a material world, not a dramatic one. And truth resides not in melodrama, but in the precise measure of material things.
Handling a painful situation in a comedic way is truly the funniest. That is extremely real to me and not kind of clownish. There is a thin line though; you can't overdo it.
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