A Quote by James Blunt
School was pretty good about letting me take up music and that's where I had my first musical ideas and first said, 'Yeah, I'm going to be a musician.' I just had to do a quick stop gap in the army first.
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Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
It was the first fight I had with my father. My father basically said, why are you going to business school? You're just going to get married and have kids and you won't use your degree. And it's expensive. We had a knockdown, drag-out fight, which was great. Yeah. In the driveway. My father said, 'You're on your own.'
My first banjo? My mother's sister, my aunt, lived about a mile from where we did, and she raised some hogs. And she had - her - the hog - the mother - they called the mother a sow - of a hog. And she had some pigs. Well, the pigs were real pretty, and I was going to high school and I was taking agriculture in school. And I sort of got a notion that I'd like to do that, raise some hogs. And so my aunt had this old banjo, and my mother told me, said, which do you want, the pig or a banjo? And each one of them's $5 each. I said, I'll just take the banjo.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
The first expert said he had attention deficit disorder. The second expert said the first was out of order. One said he was autistic, another that he was artistic. One said he had Tourette's syndrome. One said he had Asperger's syndrome. And one said the problem was that his parents had Munchausen syndrome. Still another said all he needed was a good old-fashioned spanking.
When I first started learning how to take photographs, you had to spend the first six months figuring out what an f-stop was. Now you just go and take pictures.
A lot of people will tell you the first step to starting something new is to have an idea. But to me the first step starts long before that. The first step to acting like an entrepreneur is to look not at the writing on the wall but at the spaces between the writing. It's in the gap between what's being said and what's not being said that entrepreneurs thrive. The way to get going is to find the courage to take your dream out of your head and put it to the test in the real world. Don't just think it; act on it.
I ended up going to public school in the first grade, and that's when I knew I had to be very strategic about my survival in school. I tried my best to be friends with people who were going to protect me.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
To me the question right now is: How do I close that first three-quarters of the achievement gap, education gap, wealth gap? What gives me the best chance to do that? And I'm pretty darn sure that if America is a just society and treating people well right now, irrespective of past wrongs, that I'm going to close a big chunk of that gap. I've seen it.
You know, even growing up going to school, I had teachers that were against bilingual teaching. I never understood that. My parents always had me speak Spanish first knowing I was going to speak English in school.
I'm a guitar player, really - I mean, first and foremost - I grew up with all that great 1960s music, in terms of growing up, becoming a musician, so it's like first-love stuff; I'm always going to go back to it.
Well, first of all, I grew up in New York City, going to first a public school, then a private school, and when I got to the private school in Manhattan, I learned of what we called 'The Promised Land,' which are the Hamptons. I've always had an affinity for the Hamptons.
Yeah, we shot ourselves in the foot right out of the gate. The guy who ran it at first misled pretty much everybody about how much capital we had. He said we had enough to go three years without making money, and we had enough to go three weeks.
You have to have a lot of ideas. First, if you want to make discoveries, it's a good thing to have good ideas. And second, you have to have a sort of sixth sense-the result of judgment and experience-which ideas are worth following up. I seem to have the first thing, a lot of ideas, and I also seem to have good judgment as to which are the bad ideas that I should just ignore, and the good ones, that I'd better follow up.
At the age of 16, when I had my first traning session with the first-team squad, I came into the cabin and there stood Ribery and he said: 'Come here, sit down. Take the locker beside me.'
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