A Quote by James Franco
I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
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Brit Marling smartest girl I've ever met. Hands down. Brilliant. Her story? She had a graduate degree from a top tier school and turned down a job with some big company. She went to LA, said she was going to be an actress. She wasn't getting auditions, so she started writing her own films.
From the first time he'd met her, he'd sensed an air of contradiction about her. She was very much a woman, but still retained a waiflike quality. She could be brash, and at times deliberately suggestive, yet she was painfully shy. She was incredibly easy to get along with, yet she had few friends. She was a talented artist in her own right, but so self-conscious about her work that she rarely completed a piece and preferred to work with other people's art and ideas.
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
Life had stopped for her a long time ago. She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.
My house is full of paintings by my mother Pam. She was a fantastic, prolific artist but had no confidence in herself, thanks to my father running her down. They married during the war when she was 19 - she had planned to go to art school. But my father didn't want her to work, so she became a housewife.
I study her,” Patch said. “I figure out what she’s thinking and feeling. She’s not going to come right out and tell me, which is why I have to pay attention. Does she turn her body toward mine? Does she hold my eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?” Laughter rose in the room. I dropped my hands to my lap. “She’s game,” said Patch, bumping my leg again. Of all things, I blushed.
My mother started out by being a very good girl. She did everything that was expected of her, and it cost her dearly. Late in her life, she was furious that she had not followed her own heart; she thought that it had ruined her life, and I think she was right.
She didn't care anymore... and she got no pleasure from the work she did, but she did it. Everything bored her. She found that when she didn't have a notebook it was hard for her to think. The thoughts came slowly, as though they had to squeeze through a tiny door to get to her, whereas when she wrote, they flowed out faster than she could put them down. She sat very stupidly with a blank mind until finall 'I feel different' came slowly to her mind. Yes, she thought, after a long pause. And then, after more time, 'Mean, I feel mean.
When I read the book [The Adderall Diaries] I loved it, and I maybe had an inkling that there was a lot of good material in there. I didn't quite know at the time how to adapt it into a film, but I hoped I would figure it out one day.
After I'd met her, a mutual friend prompted me to ask her out for dinner, but she said she had a night shoot. I thought it was her gentle way of rejecting me. The next day she invited me for a drink at the Pierre hotel, which turned into a three-hour talk.
My mom graduated from the University of Michigan, which is a great school. Then she got her Master's from NYU. She wanted to be an actress, so when she graduated, she had a dream, and she started following it. She moved to New York and took acting classes with people like Denzel Washington.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
...she could express her soul with that voice, whenver I listened to her I felt my life meant more than mere biology...she could really hear, she understood structure and she could analyze exactly what it was about a piece of music that had to be rendered just so...she was a very emotional person, Annette. She brought that out in other people. After she died I don't think I ever really felt anything again.
It was one of those idiotic things that could've been resolved in a split second. Tara had no right to touch Raphael, and once she did he had every right to punch her. She should've left it at that, and now she was dead because she didn't.
You'd have thought that after suffering such a loss nothing else would matter to her but that didn't seem to be how it worked. She was fearful about everything now. It was as if she had finally seen the awful power of fate, it's deviousness, the way it could wipe out in an instant the one thing you had been certain you could rely on, and now she was constantly looking over her shoulder, trying to work out where the next blow might fall.
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