A Quote by James Heckman

You have kids growing up in some of the worst circumstances financially, living in some of the worst ghettos, and they succeed. They succeed because an adult figure, typically a mother, maybe a grandmother, nourishes the kid, supports the kid, protects the kid, encourages the kid to succeed. It's as if the environment never happened.
Being able to inspire my kid with what I'm doing now, it's going to help him succeed in the future, and that's one of my main goals here - is to try and succeed on the field, and succeed as a mother.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
I'm the youngest of six kids, and when a you're living in such a big family, you never really become an adult, and I'm so happy about that. At my 34, I think, "Even if I end up becoming a dad or something down the road, I don't think I'm ever going to be an adult. I'll just be a kid raising a kid.".
If bad things happen to you as a kid, it's hard for you to succeed as an adult.
In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.
I was the worst, most sickly kid of all - 30 pounds underweight. The girls used to beat me up. Actually I was a mean kid, early on because I had no self-esteem.
Initially with The Butcher Boy, there was this kid growing up in this strange, weird environment that I remember from when I was a kid. And Patrick's vision was so complete there.
Growing up, my mother and grandparents often talked about our family's Native American heritage. As a kid, I never thought to ask them for documentation - what kid would?
I try to sign for as many kids as possible. Kids come first, and I'll always sign for a kid before an adult. It's funny, because I was never big into autographs as a kid. The only player who I ever wanted an autograph from was Dave Winfield.
I was always the new kid in school, I'm the kid from a broken family, I'm the kid who had no dad showing up at the father-son stuff, I'm the kid that was using food stamps at the grocery store.
This is the great thing about writing for kids. Adults might not do anything if they recognized me. But if they do see me, and they're with a kid, they'll tell the kid who I am. They think they should give that to the kid. So generally that sends the kid over.
When you get a group of kids together, especially boys, the psychology of those kids requires that they find a weak kid or a sensitive kid or a soft kid.
When I first started playing in a youth football league, I was the worst kid on the team. I quit the first year. And then the next year, I was still the worst kid - I didn't even play.
When I was in elementary school, we had the kid who threw chairs, the kid who stuttered, and the kid who went to the bathroom on himself ... but we never had the kid who came in one day and started shooting everyone.
My father was Abe Burrows, who was a Broadway legend. 'Guys and Dolls,' 'How to Succeed,' 'Cactus Flower,' '40 Karats,' 'Can-Can,' 'Happy Hunting,' 'Reclining Figure,' it goes on. He was a legend, and when I was growing up, I was Abe Burrows' kid. That was my self-esteem.
We named all our children Kid. Well, they have different first names, like Hey Kid, You Kid, Dumb Kid . . .
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