A Quote by James Joyce
He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.
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He had told her he would love her forever, but he could not stay with her. From that time on, she couldn't see his glow or hear his voice in her head. Could he still hear her? Was he even aware of her existence?
Shane was silent a moment, then let out a long breath. "I bet I could convince you if I could get through these bars. . . ." "You'd get arrested all over again." "Well, you're just that tempting. Jailbait." He kissed her fingers, which made her shiver all over; his lips lingered warm on her skin, reminding her of what it felt like to be alone with him, in that timeless.
The feeling of loving her and being loved by her welled up in him, and he could taste the adrenaline in the back of his throat, and maybe it wasn't over, and maybe he could feel her hand in his again and hear her loud, brash voice contort itself into a whisper to say I-love-you as if it were a secret, and an immense one.
...she could express her soul with that voice, whenver I listened to her I felt my life meant more than mere biology...she could really hear, she understood structure and she could analyze exactly what it was about a piece of music that had to be rendered just so...she was a very emotional person, Annette. She brought that out in other people. After she died I don't think I ever really felt anything again.
No," he said calmly, filled with purpose. he took her arms lightly in his hands and shook her. "I am not giving you up." Emily looked at him, and for just a moment he could read her thoughts. Melanie use to say they were like twins, with their own secret, silent language. in that instant, Chris felt her fear and her resignation, and the knotty pain of coming up against a brick wall again and again. She glanced away, and he could breathe again. "The thing is, Chris" Emily said, "it's not your choice.
He leaned closer, their faces drawing near, and he could feel the heat of her breath mingling with his. He closed his eyes against the memory of a thousand other kisses and touched his lips to hers. He felt a kind of spark, and all at once he felt her slowly coming back to him. She was the arm that held him close in times of trouble, she was the whisper on the pillow beside him at night.
He wanted her. He knew where to find her. He waited. It amused him to wait, because he knew that the waiting was unbearable to her. He knew that his absence bound her to him in a manner more complete and humiliating than his presence could enforce. He was giving her time to attempt an escape, in order to let her know her own helplessness when he chose to see her again.
Whenever a conscious Black woman raises her voice on issues central to her existence, somebody is going to call her strident, because they don't want to hear about it, nor us. I refuse to be silenced and I refuse to be trivialized, even if I do not say what I have to say perfectly.
He listened to her with silent attention, and on her ceasing to speak, rose directly from his seat, and after saying in a voice of emotion, 'To your sister I wish all imaginable happiness; to Willoughby, that he may endeavor to deserve her,' took leave, and went away.
She smiled, if he could see that, and waited for him to ask the real question. But he was silent. He wanted her to volunteer the story, she realized, and she could just as easily choose to say nothing. But he deserved to know. They all deserved it, and Kirra already knew it, and Cammon may have guessed it, because Cammon could read souls, but Tayse was the only one she would tell.
He wanted to hear her concerns and alleviate them, he wanted to hold her and kiss her and convince her that he would find a way to make their relationship work, no matter how hard that might be. He wanted to to make her hear his words: that he couldn't imagine a lofe without her,that his feelings for her were real. But most of all, he wanted to reassure himself that she felt the same way about him.
He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment; it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart.
I lived in the house with my mother so she had no choice but to hear what I was doing. I would ask her for her opinion. I used to like doing that because I would let my friends hear what I did, but they listened to it on another level. My mom listened to it with a different ear, because she's older.
He was an amazing actor and could mimic anybody's voice. My sister Katrine was walking past one day and could hear our dad shouting and thought, 'God, I won't go in that room!' but realised it was Nicol Williamson mimicking my father's voice perfectly.
He took her in his arms right away. "I'm so sorry," he murmured in her ear. He rocked her, saying it over and over. But no matter how many times he said it, no matter how much she knew he meant it, the words stirred around in her ear but didn't get into her brain. Sometimes he could comfort her. Sometimes he said what she needed, but today he couldn't reach her. Nothing could.
Then he holds her and for a moment I hear total silence; that totally silent part of a cry that announces that the most horrible grief is going to follow. And it does, and he's muffling it, but I can hear and I want someone to come over and jab her with a sedative because its pitch pierces my soul.
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