A Quote by James Levine
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.
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I always maintain that playing in an orchestra intelligently is the best school for democracy. If you play a solo, the conductor and everybody in the orchestra follows you. Then, a few bars later, the main voice goes to another instrument, another group, and then you have to go back into the collective [sound]. The art of playing in an orchestra is being able to express yourself to the maximum but always in relation to something else that is going on.
Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.
If you loved everything you were writing, you would be deluding yourself or a complete and absolute narcissist. It's not about liking what you write, it's about improving with every word, little by little, exploring your craft, becoming the artist you hope to be one day. And you can only do that by working at it every day. It doesn't happen overnight, it doesn't happen over a weekend, it is a lifelong pursuit.
To see professionals working hard every day, making a big commitment to the club with a desire to improve every day is something I want. That's the only way they can play with me.
There's a lot that goes into being able to play every game and every practice and take every rep. Every year it gets a little bit harder, but I also enjoy that challenge.
Do not shorten the morning by getting up late, or waste it in unworthy occupations or in talk; look upon it as the quintessence of life, as to a certain extent sacred. Evening is like old age: we are languid, talkative, silly. Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.
My style is a little more thought out, in a way, but I guess it's eclectic at the same time. I wouldn't be able to describe my style, because it changes on a day-to-day basis, depending on what sort of mood I'm in.
Leverage your time more by spending a little more time every day imagining and a lot less time every day doing. Do a little more imagining and a little more less doing. Until eventually most of what's happening is happening in the cool, calm, anticipatory state. Just imagine yourself into the successes, and watch what happens. Imagine a little more and act a little less.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
There are five fundamental qualities that make every team great: communication, trust, collective responsibility, caring and pride. I like to think of each as a separate finger on the fist. Any one individually is important. But all of them together are unbeatable
My personal style is eclectic, I would say. I always like to mix and match things. Uh, but the thing is that it changes every single day. So if I'm feeling you know a little more rebellious, one day I may dress a little more punk rock. But most of the time I say, pretty consistently, I'm feminine.
As a historian, I love every little detail, but whole long passages about wood paneling and journeys on horseback and every stop at every inn had to go out the window. I decided the history in the books should be like spice in a soup - a little went a long way. Like cilantro.
Being healthy is feeling the same way as little children feel. Little children are bursting with energy every day. Their bodies feel light and flexible; moving is effortless. They're light on their feet. Their minds are clear; they're happy, and free of worry and stress. They sleep deeply and peacefully every night, and they wake up feeling completely refreshed, as if with a brand-new body. They feel passionate and excited about every new day. Look at little children and you will see what being healthy really means. It is the way you used to feel, and it is the way you should still feel.
I like when people do cool stuff that might be a little off-the-wall to anybody else, but they found a way to make it work for that day. I wouldn't recommend that people wear it every day like that, but if you every once in a while just spice it up, I like that. I dare to be different.
The only thing that interests me in music is to be able to reach into the, let's call it, 'collective unconscious' of what is noblest in the human spirit, the way you find in the music of Mozart and Beethoven and Verdi that wonderful quality that not a note can be changed.
So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.
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