A Quote by James Lileks

I've always wondered if there was a Hezbollah version of minesweeper where you get points for blowing up on your first move. — © James Lileks
I've always wondered if there was a Hezbollah version of minesweeper where you get points for blowing up on your first move.
She probably gave up and started playing Minesweeper." [...] We reached the cafe and found Sydney bent over her laptop, with a barely eaten Danish and what was probably her fourth cup of coffee. We slid into seats beside her. "How's it—hey! You ARE playing Minesweeper!
I wanted my first novel to be a veritable infarct of narrative cloggers-the trick being to feel your way through each clog by blowing it up until its obstructiveness finally reveals not blank mass but unlooked-for seepage points of passage.
The breeze of grace is always blowing on you. You have to open the sails and your boat will move forward.
Life is like a game of chess...there are many moves possible, but each move determines your next move...where you wind up is the sum total of all your past moves...but first you have to make some kind of move.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
If one accepts Hezbollah's self-description as a resistance movement, in which case one must, in light of the fact that Hezbollah never ceases to provoke, view Israel's mere existence as a continuing act of aggression, then Hezbollah has indeed shown that it can initiate conflict, resist, and survive.
When NBC News first assigned me to the Barack Obama campaign, I must confess my knees quaked a bit....I wondered if I was up to the job. I wondered if I could do the campaign justice.
Usually you always see first cut is an extended version, because it's basically everything you shot, and you have that version and then you start cutting stuff out.
My first drafts are always terrible, and I hate them, but the process for me is all about writing the bad version until it tells you what the good version is. And then you write that.
I always at home as a kid tried to move something with your hand and it doesn't move and then you get to do it in a movie. I mean my superpower is quickness but you know what I'm saying. You get a superpower and you're like "Man this is awesome. I get to pretend I have a superpower."
Ships are blowing up at sea, or catching fire, factories are blowing up. Are these accidents? Are these industrial sabotage? No one really suspected a spy network.
The idea that Hezbollah is acting as an agent of Iran is very dubious. It's not accepted by specialists on Iran or specialists on Hezbollah. But it's the party line. Or sometimes you can put in Syria, i.e. "Syrian-supported Hezbollah," but since Syria is of less interest now you have to emphasize Iranian support.
He never seemed to get tired. Always first up and ready to move on. Never afraid of what lay ahead.
I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.
Your natural instinct when people are throwing punches at you is to back up. That just makes it more dangerous for you. You'll get hurt that way. You've got to teach yourself to go forward, move your feet and move your head. I'm not going to lie, that was tough for me to learn.
I had always felt that mittens were a few steps back on the evolutionary scale-- why, I wondered, would we want to make ourselves into a less agile version of lobster.
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