A Quote by James Nesbitt

I was one of the many kids in Northern Ireland who grew up in the countryside and had an idyllic childhood well away from the Troubles. — © James Nesbitt
I was one of the many kids in Northern Ireland who grew up in the countryside and had an idyllic childhood well away from the Troubles.
Ireland was an idyllic place for us as children. We had all these cousins and all this green countryside. Given what I've written about rural Ireland, my memories of it are all blue skies and endless play.
People were so keen to get investment. In those days, there was quite significant unemployment in Northern Ireland, and that had been the general pattern in Northern Ireland for many, many years.
That feeds anger, and I mean when we went and at last thank heavens got towards peace in Northern Ireland we went for justice within Northern Ireland as well as using security well, as well as a political settlement, but surely that is the lesson.
We used to spend a lot of time as kids in Northern Ireland, on the border and in southern Ireland as well.
I was filming a movie in London, and I drove through Ireland. It was quite beautiful, and the countryside was really remarkable. The contrast between the countryside and Ireland, and the murals there, with Northern Ireland still being a part of the United Kingdom, there's just a stark contrast in those two things. And I found that the art that came out of the conflict was really spectacular because it was about remembering either events or points of view for local neighborhoods, or the rallying cries of one side against the other.
My point is there's a hidden Scotland in anyone who speaks the Northern Ireland speech. It's a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
I grew up during one of Northern Ireland's most complex periods.
My dad grew up in Banbridge, Northern Ireland, desperate to get to London. I grew up in London, so I don't know what it's like to yearn for the big city from a small town.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
It was such an idyllic time when I grew up in Hong Kong. It was a British colony and very much geared towards buying the best of Britain. My childhood does have a huge influence on how we design. There must be a little bit of that nostalgia - childhood is so special.
I think a lot of us who grew up in Northern Ireland weren't politicised enough, frankly.
It's an extraordinary thing, this tiny little province of Northern Ireland, where carnage happened. And I was part of it. I grew up in it.
Northern Ireland has a unique place in the Union. As the Belfast/Good Friday Agreement enshrined in law, the people of Northern Ireland can be British, Irish or neither.
Carrickmacross always had a border mentality. Smuggling would have been a big thing there in the past; there would have been spillover from the Troubles in Northern Ireland.
My father was from Northern Ireland, and coming from somewhere like that, your faith defines you. That's something we don't really understand outside Northern Ireland, but because of my parents and grandparents, I've experienced it.
What were once only hopes for the future have now come to pass; it is almost exactly 13 years since the overwhelming majority of people in Ireland and Northern Ireland voted in favour of the agreement signed on Good Friday 1998, paving the way for Northern Ireland to become the exciting and inspirational place that it is today.
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