A Quote by James Spader

For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
My primary passion is film-making. That's the aspect of my life that defines me, completes me, and completely grounds me. Everything else - from judging a reality TV show to hosting a talk show - is just a result of me being a film-maker. I am the happiest, satisfied and at peace when I am behind the camera.
My mother always helped me because she was kind of a research fanatic. When she would write a screenplay, there would be so much research all over the walls. And so when I started working as an actress, I would do the same thing. She instilled in me a love of taking everything very seriously. It didn't matter what it was.
To be honest, I don't usually do very much research, especially if I'm working with a director who also wrote the screenplay. They've usually done a tonne of research. And they'll tell you about it from their perspective which is better than doing your own research.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago.
I am not seeking anything but service to my creator. I do not need a house, I do not need a car, I do not need any of that, but to be present with each guest that sits across from me, and I am committed to a bigger thing than me, which is the vision of own, because own is going to outlive all of us.
Work is work for me. I can do any work in the field of acting. Be it films, television or theatre, I am willing to do anything.
People ask me how I am such a good heel, but I don't know; I just try to be me and go and do what I need to do to get the job done on any show that I am on and achieve the work that is set up in front of me.
Showing weakness will encourage your opponents. It inspires them. It encourages them to hit harder. To come faster. But when you don't show any fear, or when you don't show any hurt, you have the opportunity to discourage your opponent. You discourage your enemies. The bottom line is, if you think properly, you don't even have to think about all of that. All you have to think about is that guy across from me is human, and so am I. And he'll never out-work me. He'll never out-think me. And if you can't out-work me, and you can't out-think me, you'll never beat me.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
All my films I have shot in chronological order - always. And the reason is that there's a moment that the screenplay is the notion of the film. But when you start doing a film... the work itself starts being transformed, and you have to surrender.
Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.
It is scary for me to do a film by directly showing up on the sets without any preparation.
What hinders me from hearing is that I am taken up with other things. It is not that I will not hear God, but I am not devoted in the right place. I am devoted to things, to service, to convictions, and God may say what He likes but I do not hear Him.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
My Mom and Dad did it pretty good, so I know it can work. The foremost thing I would say about working with Robin and Sean is that they were devoted to this project and devoted to their characters. You can't ask for any more from talented actors like that.
This site uses cookies to ensure you get the best experience. More info...
Got it!