A Quote by James Taylor
I've written a number of songs over the years and it's a big part of my life, this sort of tension between a longing for home and the call for the open road. It's sort of like a tug between two families. I even love to miss my home.
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I've had songs that were spread out over a number of years, and I've written some in ten minutes, and everything in between.
I grew up without a television, so when I went to L.A., it was sort of, you know, a lot to take in, but it actually suited me more than where I was from, so I sort of had that 'home away from home' feeling, and L.A. is definitely home now.
Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
To me, I'm sort of like Dorothy in 'The Wiz.' It kind of parallels my life. It's a story that reminds me... that home is where the love is. So if I go to Tampa or St. Pete, and I feel the love there, that's my home. That's where the love is.
According to my parents, I just started drumming when I was two. I traveled with them from five to seven on the road, playing percussion. Between 8 and 12, my dad sort of prepared me by teaching me every aspect of road life.
Number is different from quantity. This difference is basic for any sort of theorizing in behavioral science, any sort of imagining of what goes on between organisms or inside organisms as part of their processes of thought.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
I still love coming home, but home is where the heart is. I take those whom I love most with me. That's my number one. My number two is being ready.
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Home is watching the moon rise over the open, sleeping land and having someone you can call to the window, so you can look together. Home is where you dance with others, and dancing is life.
I like being on my own better than I like anything else, but I can't give up love. Maybe it's the tension between longing and aloneness that I need. My own funicular railway, holding in balance the two things most likely to destroy me.
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
I think there's an extraordinary overlap between - sort of philosophically, and even in terms of their supporters - between Ted Cruz and Donald Trump. And that is not a part of the Venn diagram that I relate to or identify with when it comes to being a Republican.
The difference between being in the closet and out of the closet as a gay man is such a huge shift. I feel so connected still to that 22-year-old, but the idea that I was not open with that part of my life - which I am now so open about - is sort of surreal.
I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.
The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.
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