A Quote by James Van Der Beek

I'm not about to talk about what's romantic in my life - I figure if you talk about it once - then that's an open invitation for everyone to dig into your personal life even further.
I'm not about to talk about what's romantic in my life - I figure if you talk about it once - then that's an open invitation for everyone to dig into your personal life even further
I'm not about to talk about what's romantic in my life - I figure if you talk about it once, then that's an open invitation for everyone to dig into your personal life even further. So, I just keep my private life to myself.
Journalists ask me, 'Why don't you ever talk about sex in your performances?' True, I don't talk about sex - not in my personal life and not in my professional life. This is modesty.
When you talk about your troubles, your ailments, your diseases, your hurts, you give longer life to what makes you unhappy. Talking about your grievances merely adds to those grievances. Give recognition only to what you desire. Think and talk only about the good things that add to your enjoyment of your work and life. If you don't talk about your grievances, you'll be delighted to find them disappearing quickly.
I used to talk about my personal life all the time. It's the most fun thing to talk about, the people in my life are hurt.
I don't talk about my personal life in great detail. I write about it in my songs, and I feel like you can share enough about your life in your music to let people know what you're going through.
I don't really talk about my personal life and I don't really talk about my relationships. I'm not a big partier. I like the simplicity of my life, and I've chosen the kind of life I really want to live. I don't think my life is boring at all.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
It's all so personal, isn't it? It's hard to talk about work without talking about things that are personal. Work is personal. I don't want to talk about my personal life, but it's on my mind, and it's in my work.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
If you want to talk about grace, if you want to talk about revelation, talk about your life with some depth, which doesn't mean lurid revelations as much as simply looking at your own deep experiences and describing them as they are.
I learned through experience that it doesn't work for me to talk about my personal life. I've had earlier times in my career when I did talk about it.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
Wherever you are, that’s your stage, your circle of influence. That’s your talk show, that’s where your power lies. ... You have the power to change somebody’s life. Everyone has a calling, and your real job in life is to figure out what that is and get about the business of doing it.
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