A Quote by James Wolcott
If you were to hold me down and tickle me to pick my favorite 'plus-comic,' it would have to be Kevin James, a broad physical pratfaller capable of deadpan underplay, a technique honed from years of reaction-shot close-ups on TV, where every teeny fraction of a squint registers.
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I'm unbelievably ticklish. When I was a little kid, my sisters would hold me down and tickle me until I peed my pants.
My cat's fully capable of speaking, but he says he's afraid of me turning it into a Kevin James vehicle.
I was writing the kind of comic that would make me, at age 26 or 27, go down to a comic book store every month and spend my $2. That was my starting point. I wanted to write a comic that I would read. And that's still my agenda.
TV and film for me are not as exciting as the live stand-up show and getting the immediate reaction of the crowd. TV is a lot of hurry up and wait for your shot and less immediate reaction from people.
For me, there's far too many close-ups in film. They're a television technique.
My mother and I were very close and even when I left home and came to London I would ring her every day. She was very proud of me and loved my celebrity. She would often come to shoots and TV shows with me.
If our planes were shot down, yes, they's wake me right away. If the other fellows' were shot down, why wake me up?
ather than Eisenstein's fast and hard cutting, I like to hold the shot very still and for longer than we're accustomed to. For me personally as a viewer, this technique invariably causes me to have waves of emotions that I think arise from a profound form of mindful awareness and the feelings that go along with that. I am frequently brought to tears by this kind of existential cinematic technique.
I've been blessed to work with amazing designers who have generously given me beautiful bags. Lancaster was very sweet and let me pick out my favorite one when I shot the campaign.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
TV helped me understand camera angles, close-ups, master shots.
I love babies. I think they are beautiful in all sorts of different ways. I try to pick up and hold a baby every day, if possible, because it nourishes me. It feeds my soul. Babies are drawn to me. And I think it's because they see me as one of them. But ... cooler and with my life put together a little bit more. If a baby were president, there would be no taxes. There would be no war. There would be no ... government, and ... things could get terrible. And actually probably it would be a better screenplay idea than a serious suggestion.
Abide in Me says Jesus. Cling to Me. Stick fast to Me. Live the life of close and intimate communion with Me. Get nearer to Me. Roll every burden on Me. Cast your whole weight on Me. Never let go your hold on Me for a moment. Be, as it were, rooted and planted in Me. Do this and I will never fail you. I will ever abide in you.
I was the strongest during my career, and that helped me a lot, definitely in the beginning, when I needed to race against riders who were much older than me and had the power and the experience. I could beat them with my technique. At a certain moment I not only had the technique but then the power came and the experience, and then you are on the best level that you ever can reach. But then the explosivity starts to go down, you're more afraid, and the technique goes down a bit. But it's OK, because it never goes completely down.
I am not really interested in the comic book movies for example. They send me very violent scripts that don't interest me. One I was sent involved me playing a woman, a mother and wife who gets killed, shot in the stomach. It was a thriller and it did not excite me at all. So I turned it down.
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
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