A Quote by Jami Attenberg

What I try very hard to do is have an hour or so in the morning when I leave the house and don't have my phone with me. I'll go sit in a cafe and read and handwrite in my notebook and not be facing a screen. My head will be clear. I will be able to hear myself think. Because honestly for the rest of the day it's just screens, screens, screens.
Looking at virtual reality through computer screens, video game screens, and above all television screens is a denial of personality development. It's a denial of socialization, of expansion of vocabulary, of interaction with real human beings.
People don't like to read text on computer screens (and reading a lot of text on iPod screens gets very tiring very soon, just about as soon as running out of battery power).
Android phones are sold by dozens of hardware makers, the biggest being Samsung, Motorola, and HTC. There are lots of different form factors. Slider phones. Phones with keyboards. Big screens, small screens, midsize screens.
If you go to Canada or Los Angeles, you will get to see many South Asians there, but on screens, they are so less in number. It is abnormal not to have much South Asians on screens.
The book can't compete with the screen. It couldn't compete beginning with the movie screen. It couldn't compete with the television screen and it can't compete with the computer screen I don't think. And now we have all those screens so against all those screens I think the book can't measure up.
In the world of screens, we're all tired of screens. That's why I think that live events have become so popular.
Each multiplex has screens allocated to each studio. The screens need filling. Studios have to create product to fill their screen, and the amount of good product is limited.
There are screens at the gas station, there are screens at the shopping mall. And they all need content.
When you have a few billion people connected with screens, not voice... screens are important. You can transmit a thousand times more information.
In 2001 when 'Tum Bin' released we got 90 to 100 screens. India had around 1000 screens at that time.
I think that's what we need more of: Asian-Americans on movie screens and TV screens where they're normalized. Where it's not about them being Asian or a person of color. It's just about them being a human. I think that's why sometimes when I see movies with an Asian family, but it's very stereotyped, I don't find that relatable.
I won't let my daughters go on screens at least half an hour before bed because I think it stimulates them a little bit.
It's a world of multiple screens, smart displays, with tons of low-cost computing, with big sensors built into devices. At Google, we ask how to bring together something seamless and beautiful and intuitive across all these screens.
When 'Pizza' released, I was a nobody. Initially, we managed to get only 100 screens. But, after its success, the producers of 'Naduvula Konjam Pakkatha Kaanom' got 150 screens and also released the film in the U.S. Now, distributors are keen to invest in my films because they feel I have face value.
It's important for me to have different tiers of value for the art. Some of the silk-screens are really affordable, but I do have some high-end silk-screens that are several color layers and a little more expensive, and then I have the paintings that can get way up there.
I can think of nothing more boring for the American people than to have to sit in their living rooms for a whole half hour looking at my face on their television screens.
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