A Quote by Jamie Chung
I view my career like a rubber-band ball in that every role is a new experience building toward something bigger.
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I have this rubber band that I have all the time on my wrist, and sometimes when I get nervous or anxious, I'll do this twiddle thing with my finger and I'll snap the rubber band. A lot of people use rubber bands to cope with things like anxiety and depression and addiction.
Life is a building. It rises slowly, day by day throughout the years. Every new lesson we learn lays a block on the edifice, which is rising silently within us. Every experience, every touch of another life on ours, every influence that impresses us, every book we read, every conversation we hear, every act of our commonest days, adds something to the invisible building.
I've had a decent career, I've been a decent player but coaching is a whole different ball game. I can take the experience that I've got but there's so much more to it than that and I'd never take it for granted and just say I can jump into a new role and it will be easy and a breeze because I know it won't be like that.
When I was young, I could bounce back from things like a brand-new rubber ball.
My idea for our band is to be influenced by something different for every album. So it's almost like making a new band with every record we make I think. That's kind of the path we're headed down now anyway.
The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.
You have a bigger view, of something bigger than you, and you have to view that and take that in mind. At times you feel like despair rises up over hope, then other times you feel hopeful again.
"Anybody have money?" Frank checked his pockets. "Three denarii from Camp Jupiter. Five dollars Canadian." Hedge patted his gym shorts and pulled out what he found. "Three quarters, two dimes, a rubber band and - score! A piece of celery." He started munching on the celery, eyeing the change and the rubber band like they might be next.
Um, I think every role, whether in TV or film, has a part in building a career and relationships.
You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
I like myself. I think I'm cool. But I think when you're in a band you take on a role within the band, and I think people over the course of years can identify those roles as almost being bigger than just the individual. I don't know. It's kind of hard to talk about.
Our point of view is, lets not be so elitist that we can't honor good, hard, dignified, ennobling work: people working with their hands, building things, putting up solar panels, weatherizing homes, working on organic agriculture, building wind farms. We don't have robots in society, so somebody has to do that work. Lets make sure that the people who can use that work get a chance to do it. I see that as a first step toward bigger and better things.
Every man prefers to look at a well-shaped woman instead of a rubber ball.
Lilith Fair was a great experience for us the first time we played it. We were... not a new band, but a new band as far as mainstream kind of airplay or success.
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
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