A Quote by Jamie Cullum

It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
To have a No. 1 with 130,000 copies sold is, you know, I remember when we first started selling records, in order to have a No. 1, you'd have to sell at least a half a million if not more, for the rock side of things.
We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
This comes from Mike Gonzalez at the Daily Signal: [ Howard] Zinn's history "set the stage for the grievance mongering that passes for history classes today, and is still widely used. It has sold over 2 million copies since it was first published in 1980 and continues to sell over 100,000 copies a year because it is required reading at many of our high schools and colleges. That's a lot of young minds."
I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.
Selling eight million copies of your first album will mess you up.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
Poison is one of the first, if not the first, truly independent bands to sell 3 million copies of our first record. It was before we were with a big company.
Of course, a lot of businesses want to reach students, so I funded the magazine by selling advertising. I sold something like $8,000 worth of advertising for the first edition, and that was in 1966. I printed up 50,000 copies, and I didn't even have to charge for them on the newsstand because my costs were already covered.
The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.
I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.
The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
I sometimes think 'Gordon' must be the most bootlegged album in U.S history, since it sold only 200,000 copies in the country, yet 800,000 kids know the words to every song.
I remember thinking: 'Why is Jim's face so big?' on the cover of our first album, 'The Doors.' Probably because it wouldn't have sold a lot of copies if it were my face!
So, you're seeing the Rolls-Royces and the Bentley's still selling for big prices. You're seeing jewelry still selling, art works at auction. There was a diamond that sold for I think 38 million, 48 million, something like that just a week ago. So prices are back up to their highs, getting stronger and more and more people seem to have more and more money to spend.
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