A Quote by Jamie Park

I, at times, was disappointed when my songs were neglected by executive producer Park Jin-young, but learned a lot in the journey finding out what would appeal to a wider audience.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
Jin-hyung had a lot of cool parts in 'Fake Love.' Jin-hyung is the main character.
I love Neil Young. His songs were the first songs I learned to play, and I recommend anyone who is starting guitar to learn Neil Young songs first.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
Park Bo Young was like a teacher to me. Personally, we were good friends, but at the same time, I admired her acting and learned a lot from her.
We thought by setting the film ["Selling Isobel"] in the cloak of... let's call it an indie-Hollywood thriller, it would appeal to a wider range of young women who would see this cautionary tale and say, "Hang on, I've got to think twice about what I get myself into."
I was known for being talented, but I was still the fat girl. And it wasn't what people were looking for. There's a lot that you hear. There's a lot of cruelty out there. Some of it comes from the executive offices. It comes from other artists at times. It was a very difficult thing to overcome.
Donald Trump actually won a lot of people. We've got to give the president-elect his due. He was a tractor beam for the disappointed. He said to the people who were disappointed with the president on Obamacare, "Come to me." He said to the people who were disappointed with trade, "Come to me." He said to the people who were disappointed with the Supreme Court, "Come to me." And he did run a campaign of bringing in the disappointed. And to the people who may be disappointed with their own lives and where they are. And they have a person to speak for them.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
To me, mass media is when you are able to use a platform to reach an audience on a large, global scale, and I think YouTube has certainly achieved that and is still finding ways to bring a wider range of content to its audience.
I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
I was going on this desert adventure with some friends and we were like, "How amazing would it be to just drag all these mirrors out there?" A lot of times I do things as an impulse and find out my inspirations afterward. Even with songs and lyrics, it can take me years to find out what I was actually trying to do.
Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.
I would love to do a track with Will.I.Am. He's always creating amazing songs. I mean, to be honest, Chris Brown has always been amazing, so I would hop on there and let him do his thing and create some magic there. As for a producer, I would love to work with J.R. Rotem. He's my favorite producer out there.
Unsuccessful headlines were not written without a strong appeal, but it was the wrong appeal for that product and that audience.
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