A Quote by Jamie Wyeth

Everything I paint is a portrait, whatever the subject. — © Jamie Wyeth
Everything I paint is a portrait, whatever the subject.
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
My responsibility isn't to paint a flattering portrait; my responsibility is to paint a real portrait, a true portrait.
Painting has always been a means of self-expression for me. Therefore, I paint because I have to and need to, not necessarily because I want to. Subconsciously or not, the figures I paint are a reflection of myself and whatever mood I am in at the time, so every painting is in essence a self-portrait.
To do a portrait today, I decide how close I can get to my subject. First, of course, mentally or intellectually, then in the viewfinder. Music cues the subject and me when to shoot. The music played during a photography session is most important - stimulating to the subject and to me. As in a film, the music builds or becomes quiet, romantic; just one note sets the actor up to emote for his audience. I want a reciprocal portrait, not a bureaucratic one
The reason that I'm an actor, or an artist, is ultimately because I'm trying to paint a self-portrait, and the most complete and beautiful self-portrait that you can.
I was good friends with Frank Sinatra, I heard Steve Kaufman painting his portrait, so I asked Steve to paint my portrait.
There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
Everything is a subject; the subject is yourself. It is within yourself that you must look and not around you... The greatest happiness is to reveal it to others, to study oneself, to paint oneself continually in [one's] work.
It should be the aim of every photographer to make a single exposure that shows everything about the subject. I have been told that my portrait of Churchill is an example of this.
What is a portrait good for, unless it shows just how the subject was seen by the painter? In the old days before photography came in a sitter had a perfect right to say to the artist: "Paint me just as I am." Now if he wishes absolute fidelity he can go to the photographer and get it.
I don't paint women, I paint pictures. . . What I am after above all is expression. If in a portrait I put eyes, a nose, a mouth, there isn't much use; on the contrary it paralyses the imagination of the spectator, and obliges us to see the person in a certain way.
I know all the theory of everything but when I paint I don't think of anything except the subject and me.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
For an Impressionist to paint from nature is not to paint the subject, but to realize sensations.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
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