A Quote by Jane Lynch

We did an a cappella version, which I have always wanted to do, of the "Coventry Carol." It's beautiful, and we did it in three part harmony with no accompaniment. We have two a cappella songs that, in my opinion, are just gorgeous.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
Uh, I think so many things have happened in the mainstream that definitely brought awareness and attention to a cappella. The 'Pitch Perfect' movies, 'The Sing-Off' - I mean, the college a cappella scene definitely has become really hot, which is definitely wonderful.
Now that a cappella is sort of coming to the forefront of the music world, I think people are starting to realize that it's a well-crafted art form, and not just a cheeseball novelty. That being the case, my hope is that a cappella groups, new and old, will get the recognition they deserve.
I just wanted to eat, to survive. I started singing a cappella in bars. I saved up money to get my first guitar and started writing songs.
I would sing myself with a tambura and just regular a cappella singing and practicing. I did that around 1973 and 1974, and I finally developed my own style of singing.
We sing popular songs and show it can be done a cappella. It's fun music.
I wanted to do what Marilyn Monroe did (during the Korean War), when she went and just set up a stage and did a concert for the troops all by herself. It's so amazing seeing that one woman just going somewhere, this beautiful sex kitten, who's basically a pinup, which is what I've always aspired to be.
Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
But even if you're not a 'Scrubs' follower you'll still have a good time, because all the songs are recognizable and presented in a way that's unique to The Blanks. We had heard that in some countries a cappella is considered torture, so we wanted to make a show that we'd really want to see as well - so it's music but it's also a lot of comedy.
A cappella music has always been around. It's such an old form.
We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well.
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
I cannot sit here and say I was beaten by Carol Miller. Because Carol Miller did not show up. She did not debate me. She basically avoided everything and just said, 'I'm with Trump, I'm with Trump.' And sadly, that's apparently a victory here in a place like southern West Virginia.
We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.
Who's not played spin the bottle? But I never done the kiss version. I always wanted to, but I never did. We did the truth or dare one instead.
I think there are rock stars within every subgenre, and for people who are obsessed with musical theater Sutton Foster and Audra MacDonald are like Beyonce to them. I'm sure the a cappella world has their own version of that, and that exists in every geeky subculture.
This site uses cookies to ensure you get the best experience. More info...
Got it!