A Quote by Jane Velez-Mitchell
In Hollywood, they say good news finds you.
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When a person goes to a country and finds their newspapers filled with nothing but good news, he can bet there are good men in jail.
We’re seeking — imperfectly at every turn, no doubt — an incarnational theology, a theology that brings radical good news of great joy for all the people, good news that God loves the world and didn’t send Jesus to condemn it but to save it, good news that God’s wrath is not merely punitive but restorative, good news that the fire of God’s holiness is not bent on eternal torment but always works to purify and refine, good news that where sin abounds, grace abounds all the more.
Quentin Tarantino assistant called me and said: "I have good news and bad news. The good news is you got the part, the bad news is you have to do it." I was like: "Oh Jesus, when am I supposed to do this?" I was prepping Hostel.
Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.
A Godly leader ... finds strength by realizing his weakness
finds authority by being under authority
finds direction by laying down his plans
finds vision by seeing the needs of others
finds credibility by being an example
finds loyalty by expressing compassion
finds honor by being faithful
finds greatness by being a servant
I'm confused about who the news belongs to. I always have it in my head that if your name's in the news, then the news should be paying you. Because it's your news and they're taking it and selling it as their product. ...If people didn't give the news their news, and if everybody kept their news to themselves, the news wouldn't have any news.
There's some good news, too, and the good news is that the players [finally] have become more aware of the fact that we [in golf] need sponsors, and we need the good will that is created by the players being, let's say, cooperative with the sponsors - meaning friendly.
The word "evangelist" means someone who spreads good news. Studying the impacts of climate change as I do, it's hard to come up with good news. In many ways I feel more like a Cassandra or a Jeremiah than a good-news evangelist.
The good news is the Republicans have started to say the right things about net neutrality. The bad news is we're not particularly close on what a bill would look like.
This is what I say: I've got good news and bad news. The good news is, you don't have to worry, you can't change the past. The bad news is, you don't have to worry, no matter how hard you try, you can't change the past. The universe just doesn't put up with that. We aren't important enough. No one is. Even in our own lives. We're not strong enough, willful enough, skilled enough in chronodiegetic manipulation to be able to just accidentally change the entire course of anything, even ourselves.
Every morning is good news, every child that is born is good news, every just man is good news, every singer is good news, because every singer is one less soldier.
Turn around and believe that the good news that we are loved is better than we ever dared hope, and that to believe in that good news, to live out of it and toward it, to be in love with that good news, is of all glad things in this world the gladdest thing of all. Amen, and come Lord Jesus.
So, good news/bad news: good news that I'm progressing; bad news that life is short and art is long.
I set a rule that people weren't allowed to send good news unless they sent around an equal amount of bad news. We had to get a balanced picture. In fact, I kind of favored just hearing about the accounts we were losing because ... bad news is generally more actionable than good news.
My blood runs cold when I hear the 'great news' that we have found a marker for the Down's syndrome gene, which means we can identify it more easily. Why is that good news? It's only good news if you're going to terminate.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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