A Quote by Janel Parrish

Wanting to be accepted is something I like a lot of people can relate to. — © Janel Parrish
Wanting to be accepted is something I like a lot of people can relate to.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
I think a lot of us can relate to not choosing to face a painful memory, and something that's a painful past, and wanting to pretend like it never happened.
A lot of people relate me to the blues but I don't think it's a hindrance at this point. I've been doing it long enough that I can do different things and be accepted.
You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.
I can relate to somebody wanting to have something to believe in.
Most people are excited about themselves. Personal genome will deliver for inexpensively something about science to which you can relate. Just like computers are becoming something to which you can relate. It should be even easier to relate to your own biology, and I hope that will be one of the ways we get broader literacy in science.
Obviously, in different circumstances, I definitely related to this idea of feeling claustrophobic and wanting to discover things for yourself. I think that's something that all young people can relate to.
Every human being can relate to wanting their thoughts and their feelings to be accepted and rewarded and validated. So in that way, a stand-up is similar to almost any profession. It's very simply just someone who wants to be heard and live authentically and express themselves.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.
I think there's something we all relate to about...wanting to get to our most primal self.
When you become an actor, at some point you look for something that brings you back to your roots. You find something that people around your neighborhood can relate to. People that you're close with can relate to.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
I know what wanting and craving adventure feels like, I can really relate to that.
I think, fundamentally, music is something inherently people love and need and relate to, and a lot of what's out right now feels like McDonalds. It's quick-fix. You kind of have a stomachache afterwards.
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