A Quote by Jaron Lanier

I think complexity is mostly sort of crummy stuff that is there because it's too expensive to change the interface. — © Jaron Lanier
I think complexity is mostly sort of crummy stuff that is there because it's too expensive to change the interface.
The inner sort of consumer identity got the best of people. And everybody just wants things for free. And that's created this strange kind of cheapness to everything, where everything becomes throwaway. And people, I think, have started to undervalue things, maybe because there's too much, maybe because it's too easy to make, but I think mostly just because, somehow, that's the pattern that got set. And I think that's regrettable.
The barrier to change is not too little caring; it is too much complexity. To turn caring into action, we need to see a problem, see a solution, and see the impact. But complexity blocks all three steps.
Complexity assertions have to be part of the interface
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
The more screenwriting you do, the more you become aware that particular scenes aren't going to end up in the movie because they're too expensive. That has perhaps changed the way I think about writing novels, actually, because now I write expensive scenes whenever I can.
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
All of the good stuff is going to be done in the future. The stuff we are doing now is crummy compared with what will finally mature.
Things that people will say to me, mostly, is that you shouldn't have all these books. It's too expensive.
It's too expensive, that's the thing nobody wants to talk about. It is too expensive to make movies. That's not true, it is too expensive to market movies. Making movies is not.
You can't go back and change everything because it is incredibly expensive to do. You just have to learn to live with your mistakes. If there aren't too many of them and they aren't too big, people generally don't seem to notice them.
The barrier to change is not too little caring; it is too much complexity.
When I started my company in the U.S. I was always told by my mentors, 'If you want to start a tech company, you need a technical co-founder,' because outsourcing just doesn't work. It is too slow, it is too expensive, and the product is going to change a lot.
If someone is cynical and doesn't vote and ends up with a crummy job in a crummy country with a decimated environment, they only have themselves to blame.
I don't think stand-up comedy is becoming too serious, in fact, I wish it was. We are still mostly doing frivolous stuff.
I don't have to think much when I take a photo on my iPhone. I sort of see the iPhone medium as instant gratification, whereas with film, you have to think about it because it's expensive.
I don't really need new stuff anyway. I like to make big stuff, and it's too expensive to travel with. So I have my refined set that works well, and I'm pretty much set with that.
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