A Quote by Jason Aldean
If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.
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When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I think Miss Moore was right to cut "The Steeple-Jack" - the poem seems plainer and clearer in its shortened state but she has cut too much... The reader may feel like saying, "Let her do as she pleases with the poem; it's hers, isn't it?" No; it's much too good a poem for that, it long ago became everybody's, and we can protest just as we could if Donatello cut off David's left leg.
If you are getting into coaching right out of college, you're not one of the coaches because you're not really, like, a coach yet. You're someone who's in limbo all the time. Navigating that is not easy. If you try to be too much like a player, then the coaches are like, You're not too serious about coaching. If you're going to be too much like a coach, the players are not going to confide in anything.
Someone came up to me and told me that [his opponent's] knee was hurt, and he said to me, attack his knee, I'm like, 'Yeah right, I'm not going out to attack this guy's knee.' It just doesn't … it's not realistic to go after his injury, unless they got a cut the same week, then it's like, yeah, hit him in the eye, because the [expletive] is going to re-open and now you wouldn't fight on the cut. Maybe on a cut you want to take advantage of it, that makes sense.
Well, here's my feeling about shtick. I think sometimes if you don't have it going on too much, you're probably feeling insecure and then you want to add on the shtick. I would say, oh, like Kiss. You try to stand out from the crowd, you're going for a bold statement, you're going for a high concept.
Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.
I think you're sort of always waiting, wondering when the word "cut" is going to be said when you're doing a scene. Like you're there and you're doing the scene and you're always sort of like, ‘Okay. Are they going to call cut? How far are we taking this? Are they going to call cut?’
I never liked the extended cut personally because I like...we spend a lot of time figuring out our final cut. We test and test and test it, whatnot. Having said that, there's one sequence we're adding back into the movie for the extended cut that is pretty amazing that I think people are going to love.
I don't really think about the personnel too much, I don't have a desired matchup, I just like going out and playing football. I treat everybody the same when I get out there. It doesn't matter if it's Deion Sanders or if it's an undrafted rookie, I'm going to try to go out there and give them work all day.
If somebody says no to you, or if you get cut, Michael Jordan was cut his first year, but he came back and he was the best ever. That is what you have to have. The attitude that I'm going to show everybody, I'm going to work hard to get better and better.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
I woke up one day and wanted to change my look. And I was like, 'Okay, what are you going to do about it?' I said, 'I'm going lose 30 pounds, I'm going to get a little lipo, and I'm going to get a Monroe piercing, and I'm going to cut my hair. I'm going to get totally wild.'
My brother told me when I came in the NFL, if they cut Peyton Manning, they're going to cut you someday too. That's always a realization for anybody in our livelihood.
That guy just cut right in front of me. But I'm not going to let it bother me. No. I'm on my way to work and I decided it doesn't matter who wants to cut in front of my lane today. I'm not going to let it bother me one bit. Once I get to work, find myself a parking space, if somebody wants to jump ahead of me and take it, I'm going to let them.
The last start of spring training, my (cut fastball) was okay. It just wasn't what I wanted it to be. I tried to work on making it cut more and do more. I think that set (the forearm) off ... trying to make it move a lot, cut a lot. I'm just going to back off and trust it a little bit more and not try and push that.
That's the NFL: Not For Long. First year's a welcome year. Second it's, What are you going to do? Third year's like, Well, you didn't do much last year; give us something or you're going. That's the way it is. They'll trade you or they'll cut you.
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