A Quote by Jason Biggs
But once I went for it, left my inhibitions aside and saw its eventual success, it made me much more comfortable and eager THIS time around to take it to a whole new level.
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Going on You Tube, you see a lot of my videos. And I'm glad; there's numbers there. And I get this all the time, that when I'm actually in concert, there's a whole new level to it. There's this whole new energy level. It's hard to describe. But I just love to play, and I never take it for granted.
Once one has attained a high level of success at any pursuit and especially an unorthodox pursuit like rowing, one develops a number of generally self-congratulatory half-truths to explain how it happened that he ascended to that particular pinnacle. Often because original motivations don't seem to have much in common with the eventual success, the real and rationalized motivations are difficult to separate.
There was a time you saw me once, one afternoon, in the dormitories. There was no one else around, and I was playing this tape, this music. I was sort of dancing with my eyes closed and you saw me.' '...yes, I remember that occasion. I still think about it from time to time.' 'That's funny, so do I.
The first time I won a medal in the all-around competition is when I realized that's what I wanted to do pretty much for the rest of my life. Even though I was still doing baseball and soccer at the time, I think I just found that that was more my passion, where I saw a lot more success... I was probably eight or nine years old.
I thought it would be good for the engineers and workmen who were building my spacecraft to see the pilot who would have to fly it hanging around. It might make them just a little more careful than they already were and a little more eager to get the work done on time if they saw how much I cared.
I think with success you do get a little more guarded and you start to change your friends. You become more isolated. And you start hanging around with people who have money! I think that's the biggest thing. Once you do get a bit of change in your pocket, you start hanging around with other people who have some change. It was kind of strange to all of a sudden go from one extreme-Manhattan-to where I went, upstate New York. But I did it because I was dying in the city. I couldn't take it. I couldn't take one more dinner party. I couldn't take one more party, period.
When I look over my past, I see that the stages in my life are like the phases of the moon. I've had periods where I was the waxing gibbous: fat with wealth and success. There have been other seasons when my happiness was like the waning crescent and I watched my joy fade away slowly, merging with the atmosphere around me as if it never existed. Then I felt as if I was left with nothing more than an illusion, but happiness returns in time and glows once more in corpulent fullness. It's time that makes the difference.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
In Eden I "saw" that Adam or Eve probably spoke each word FOR THE FIRST TIME and that seemed wild and seemed to me that that might have brought them to some essence of language. Once I "saw" the city, I knew it was real. once I saw that a poem was a house, i knew it was real and could go back to it or else write a flurry of poems around it, both worked.
The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore.
People reveal so much of their mental processes online, simply because the psychological effect of anonymity just means that a whole raft of inhibitions are left alone when people log on.
Going out on a stage publicly and not knowing how people are going to react to you - once I experienced that, it made me feel much more comfortable about going into a scene.
Not ever having been an agent myself, my sense is that upper-level agents who have the most power, who can move people through the system more easily, are less willing to take on the volume of work to break somebody new. And then lower-level people, if they are willing to take on somebody new, they don't necessarily have as much sway, and it's harder for them to push somebody through.
A disciple does not ask, "How much can I keep?" but, "How much more can I give?" Whenever we start to get comfortable with our level of giving, it's time to raise it again.
We're blessed to be at a level in my career where I can afford to take out a bus of my own and bring my whole family with me, so that's great, too. The boys are out with us all the time, and it's just great to be able to turn around onstage and see my wife back there behind me.
The best part of success is that it got me past the basic survival level of existence so that I was comfortable. I didn't have to worry about stuff pertaining to survival. Once that was taken care of, I got the chance sit down and create and work at what I do.
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